
Imbued with an indelible vibrancy and depth, Harminder Judge’s transportive sculptural works simultaneously reference Indian neo-tantric painting as well as the abstract expressionist and colour field movements of the 20th century. His alchemical process involves layering pigments into pools of wet plaster followed by prolonged periods of excavation; sanding, polishing, and oiling. Culminating in expansive modular panels, and ineffable shapes which seem to hover off the wall, colour, forms, and compositions are allowed to reveal themselves and intensify over time.
This all results in a gleaming, vibrating surface where monolithic forms, seething horizons, and emanations of colour rise up from the solid granite-like depth beneath.The interplay between the granular and cosmic playout here and there is a real sense of a material phenomenon taking place, the remnants of which appear both crystallised and in a state of flux. The works as such exist in the present moment; Harminder has referred to them not as paintings but portals that offer us a wide plane to look through, allowing for broader contemplation to take place.

Harminder Judge (b.1982 Rotherham, UK) lives and works in London. He graduated from the Royal Academy Schools, London in 2021. Selected recent exhibitions include The Reason for Painting, Mead Gallery, Warwick, UK, 2023;Love Letter, Pace Gallery, New York, US, 2023; Rising Skin from Rock and Chin, The Sunday Painter, London, UK, 2022; Ankles Absorbing Ash, Humber Street Gallery, Hull, UK, 2022; galerie- pcp, Paris, France, 2021; Am I Human To You?, Jugendstilsenteret & Kube Museum, Ålesund, Norway, 2021; Tomorrow: London, White Cube, London, UK, 2020; Our Ashes Make Great Fertilizer (co-curated group), Public Gallery, London, UK, 2020; At Home In The Universe, alongside Mahriwan Mamtani, Jhaveri Contemporary, Mumbai, India, 2019.

Jhaveri Contemporary was formed in 2010 by sisters Amrita and Priya with an eye towards representing artists, across generations and nationalities, whose work is informed by South Asian connections and traditions. The gallery’s dedication to original scholarship, engendered through its carefully crafted shows, is one of the many ways it distinguishes itself. Entwined with this philosophy is another guiding principle: showcasing the heterogeneous practices of long-celebrated luminaries as well as emerging talents, often in generously interrogative conversations. With a focus on mining lesser-known art histories, Jhaveri Contemporary facilitates dialogue between artists, curators and historians to add to the wider field of art. Estates served by the gallery include Mrinalini Mukherjee and Anwar Jalal Shemza.

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