
In April 2022, Brian Maguire travelled to Brazil to investigate what war reporter Ed Vuillamy has described as ‘the war on the world’–the destruction of the Amazon rainforest.Visiting remote villages on the Abacaxis River by boat, the artist was able to witness first-hand the effects of deforestation and neglect of indigenous groups. Meeting with local leaders and communities via listening sessions, Maguire learned about the issues facing the Maraguá people, including healthcare, education, the impact of mining companies on fishing grounds.
From these stories, so often excluded from the dominant narrative, Maguire has devised a series of new large-scale paintings drawing attention to the urgent social and ecological crisis unfolding in theAmazon. Maguire shows us the beauty of the rainforest in its natural state, the horror of its destruction, and the socio-economic impact of land clearance. It also looks towards Brazil’s recent election of Luiz Inácio Lula da Silva–who has pledged to protect the Amazon and its indigenous population–as a ray of hope in addressing the crisis. Beginning his works as acts of documentation, Maguire then uses painterly skill, surface and texture to transform these testimonies into blisteringly powerful works of art, restoring an ethical vision to the poetic imagination.
Maguire’s painting practice is driven by the struggle against inequality and violence, and the pursuit of justice. Working within the long tradition of artists compelled towards the raw realities of human conflict, from Goya and Delacroix to Nancy Spero and Marlene Dumas, Maguire approaches painting foremost as an act of solidarity, rehumanising his subjects and recentring the narratives of the disenfranchised.Social engagement plays a central role, leading him to work closely and interactively with refugees, survivors of war zones, incarcerated peoples, local newsrooms and, most recently, indigenous communities, spending time in locations includingSudan, Syria, São Paulo, Ciudad Juárez and Missoula. This approach requires negotiating an exchange, establishing a method of working that acknowledges thedignity in its subjects.
Maguire has recently been the subject of solo exhibitions at Missoula Art Museum,Montana; Crawford Gallery, Cork; the IrishMuseum of Modern Art; Void, Derry; Fergus McCaffrey, New York; Rhona Hoffman, Chicago and Galerie Christophe Gaillard, Paris. In 2023, Maguire has museum exhibitions in São Paulo, Portland and Kunsthall 3,14, Bergen, Norway. In 2024, he has solo exhibitions at Missoula ArtMuseum, Montana and Galerie Christophe Gaillard, Paris. In 2025, he has a solo exhibition at The Hugh Lane Gallery, Dublin.
Since the very beginning of his career in the 1970s, Brian Maguire has approached painting as an act of solidarity. He operates a truly engaged practice, compelled by the raw realities of humanity’s violence against itself, and the potential for justice. Maguire’s preoccupations draw him to the margins of the art world—alternative space, prisons, women’s shelters, and psychiatric institutions—making shows in traditional gallery and museum spaces something of a rarity. Maguire’s most recent paintings directly confront issues of migration, displacement and human dignity in the face of the current global unrest. They are some of his most nuanced and ambitious to date, which he has crafted with larger brushes and thinned-down acrylic on canvas. He works slowly, using photographic sources, searching for that point where illustration ceases and art begins. This growing contrast between the seductive painterly aesthetic and the subject matter only adds to the potential impact of these formidable canvases. In 2018 Maguire released his newest publication that displays a substantial new artist monographm surveying his career to date. Maguire has shown extensively in Europe and the US, also participating in shows in Korea, China and Japan.
Kerlin Gallery was founded in Dublin in 1988. It has built an international reputation for its dedicated, meaningful representation of leading contemporary artists through its exhibition, publishing and art fair programmes. Its current site was designed by the minimalist architect John Pawson in 1994 and offers 3,600 square feet of exhibition space over two floors in the heart of Dublin City Centre.

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