
Kerlin Gallery is pleased to present Stasis Field, an exhibition of sculpture, work on paper and installation by Kathy Prendergast.
Stasis Field features a selection of sculpture, work on paper and installation, offering an intimate experience that intertwines memory, transformation, and the passage of time. Prendergast uses an array of textile, chalk, stone, fabric, wool and found objects to create art that resonates on both personal and universal levels.
Since the beginning of her career, maps have been a core element of Prendergast’s practice. Reimagining maps through artistic intervention, Prendergast subverts historic symbols of power, identity and exploration, creating works that reflect more personal and emotional narratives. Included in Stasis Field are hand-coloured works which invite viewers to reflect on human connections to land, borders, and the histories they carry. Pigmented chalk, gouache and watercolour create a saturated geological installation, merging hand sculpted objects with collected cartography. In Stasis unites the physical and emotional, featuring a collection of colourful hand-painted volcanic maps, creating a kaleidoscopic reinterpretation of the peaks Chimbarazo to Mount Kenya. Through colour, the static arial views radiate an energetic sense of movement. In Comet, rust coloured string radiates from an encased roll of fabric and wool. A carefully placed pattern of stones sit on the webbed string, some like small anchors, others seemingly guiding the material further. Elsewhere against the gallery wall, a painted red branch stretches three metres high, coupled with a vibrant painted arial of Cotopaxi, Ecudaor.
Courtesy Kerlin Gallery.









A sculptor of quiet but immense sophistication, Kathy Prendergast’s work has persistently revolved around a potent cluster of issues, chief among which are sexuality, identity, landscape, mapping and power. Over the past decade, her work has incorporated maps modified in various ways to take on emotional and personal resonances. Though non-didactic, Prendergast’s cartographic interventions also belie shifting power structures, subtly dismantling the narratives of imperialism and colonialism, and revealing the fragility of political gestures through acts of erasure and transformation. Though enigmatic and eerily beautiful, Prendergast’s works are often marked by a sense of misdirection or loss.
Kerlin Gallery was founded in Dublin in 1988. It has built an international reputation for its dedicated, meaningful representation of leading contemporary artists through its exhibition, publishing and art fair programmes. Its current site was designed by the minimalist architect John Pawson in 1994 and offers 3,600 square feet of exhibition space over two floors in the heart of Dublin City Centre.

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