Marilyn Minter (b. 1948, Shreveport, LA; lives and works in New York) received her BFA from University of Florida in 1970, and her MFA from Syracuse University, New York, in 1972. Solo exhibitions of her work have been organized at the Brooklyn Museum, New York (2016–2017); Orange County Museum of Art, Newport, CA (2016); Museum of Contemporary Art, Denver (2015); Contemporary Arts Museum, Houston (2015); Deichtorhallen, Hamburg, Germany (2011); Museum of Contemporary Art, San Diego (2010); The Museum of Modern Art, New York (2010); La Conservera, Centro de Arte Contemporáneo, Ceutí/Murcia, Spain (2009); and San Francisco Museum of Modern Art (2005). Group exhibitions and biennales featuring her work include Sex Work: Feminist Art & Radical Politics, curated by Alison M. Gingeras, Frieze London, Regent's Park, London, UK (2017); Jeffrey Deitch and Larry Gagosian Present Desire curated by Diana Widmaier Picasso, Miami (2016); No Man's Land: Women Artists from the Rubell Family Collection, Miami (2015); Killer Heels: The Art of the High Heeled Shoe, Brooklyn Museum (2014); Collection in Context: Lynda Benglis, John Chamberlain, Andy Warhol, and Marilyn Minter, The Baltimore Museum of Art, MD (2010); The Anniversary Show, San Francisco Museum of Modern Art (2010); Desire, Blanton Museum of Art, Austin, TX (2010); Pretty Is And Pretty Does, SITE Santa Fe, NM (2009); Expenditure, Busan Biennale, Busan, Korea (2008); Dangerous Beauty, Naples Art Museum, Italy (2007); and the Whitney Biennial, New York (2006). Her work is in numerous international private and public collections, including the Perez Art Museum, Miami; The Solomon R. Guggenheim Museum, New York; San Francisco Museum of Modern Art; Museum of Fine Arts, Boston; The Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles, and the Whitney Museum of American Art, New York.
Last week, during the Aperture Foundation's fall gala at a cavernous space in New York's Chelsea neighborhood, Marilyn Minter turned to Catherine Opie while the two artists stood onstage together, andRead More Related Press The Striking Election-Season Billboards That Are Also Art 8 October 2018, Vanity Fair
The billboards going up around the country this week will have a familiar message for this midterm election: Vote. But featuring images of protests and reminders of the 2016 election, produced by someRead More Related Press Artist Marilyn Minter: 'Donald Trump Is A Monster' 4 October 2018, Hong Kong Tatler
When I call Marilyn Minter in her New York studio, she is not painting, taking photos or doing any of the things you might expect of an artist preparing for their first solo show in Asia. Instead, sheRead More Related Press Marilyn Minter's provocative new works re-imagine classic female bathers 13 September 2018, CNN
'There would be no Internet without pornography,' proclaimed New York-based Marilyn Minter, whose art has challenged notions of femininity since the 1970s. 'And (porn) is one of the huge engines of thRead More
On 29 August 2018, at the Asia Society in Hong Kong, artist Marilyn Minter gave an evening lecture. The artist was visiting the city on the occasion of her first solo exhibition in Hong Kong (30 AugusView More