Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.
For her second solo exhibition at Thomas Dane Gallery in London, Ella Kruglyanskaya's compositions signal the many possibilities of paint.
Falling uneasily between the formal, the relational and the environmental, Eve Armstrong’s work is a deceptively formal investigation into the unwanted surpluses of urban environments. What have become her signature materials – flattened cardboard, packing tape, and disowned property – recur not only for their physical and aesthetic functions, but for their ready availability and subsequent ability to sink back into the world.Read More
Eve Armstrong was born in New Zealand in 1978. She graduated with a BFA from Auckland’s Elam School of Fine Arts in 2003, and in 2006 was an inaugural recipient of the Arts Foundation of New Zealand New Generation Award. Armstrong has contributed solo projects to a wide array of international exhibitions, including at Dertien Hectare, Netherlands (2010), the 3rd Auckland Triennial (2007), the Busan Biennale (2006), the SCAPE Art & Industry Biennial, 2006; and held a major solo exhibition at Artspace Auckland (2005-2006). In 2013 she presented the first in her five year series of artist projects commissioned by the Dowse Art Museum.
Eve Armstrong currently lives and works in Wellington, New Zealand.
Text courtesy Michael Lett.
Most booths at this year’s edition of the Auckland Art Fair will be hoping to make some gainful sales. However, Auckland-based gallery Michael Lett’s booth is different, insofar as it will be dealing goods without money changing hands. The gallery has given over its entire booth to artist Eve Armstrong, whose Trading Table...
The outcome of a summer residency with the Visiting Artist program hosted by the Dunedin Public Art Gallery in conjunction with the Dunedin School of Art, Eve Armstrong's exhibition Growing Demand has the artist developing from familiar territory in a specific response to place. Presented in two parts—on DPAG's 'big wall' overlooking the...
If the big global fairs feel as familiar as ever, they are also increasingly alienating to many of us, because they have lost a core sense of intimacy and shared community. Generally they reflect the globalization of the market (Ai Weiwei is now perennially presented), but most often regional contexts are eschewed in favor of a grand mash-up of...
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