Swiss artist H.R. Giger’s distinctive ‘biomechanical’ art blends human anatomy with machinery, creating windows into a complex, intricate and haunting worlds. The artist is most well known for designing the Xenomorph creature and sets in Ridley Scott’s 1979 film Alien, where his designs earned him an Academy Award for Best Visual Effects.
Born Hans Ruedi Giger on 5 February 1940 in Chur, Switzerland, Giger was the second child of Melly and pharmacist Hans Richard Giger. Despite his father’s reservations about art as a profession, Giger pursued his passion, moving to Zürich in 1962 to study architecture and industrial design at the School of Applied Arts. During this period, he began creating ink drawings and experimented with airbrush techniques, laying the foundation for his future artistic style.
Giger’s art fuses organic and mechanical elements, a style he termed ‘biomechanical’. His airbrush paintings are often monochromatic and depict surreal, dystopian landscapes inhabited by hybrid alien-like creatures. This unique aesthetic has influenced various media, including film, music, and interior design.
Giger passed away in 2014 yet his work continues to influence contemporary artists. In 2021 the artist was exhibited alongside Korean artist Mire Lee—who creates abject, visceral sculptures and installations suggestive of engines and entrails—at the Schinkel Pavilion in Berlin.
In 1977, Giger published Necronomicon, a compendium of his artwork that delves into the broader dark, fantastical themes present within his ouevre. This collection caught the attention of director Ridley Scott, leading to Giger’s involvement in Alien. The success of this collaboration prompted the release of Necronomicon II in 1985, further cementing his reputation as a master of surrealist art.
Beyond artworks and set design, Giger has also applied his biomechanical aesthetic to public spaces. Notably, he has designed two bars in Switzerland, one in Chur, and another at H.R. Giger Museum in Gruyères. These establishments serve as functional bars as well as art works, offering an immersive experience of the artist’s surreal worldbuilding.
Giger’s aesthetic was highly sought after, especially in the 1980s, and extended through to the music industry, where he created striking album covers that became iconic in their own right. His album covers remain some of the most recognisable in rock and metal with work commissioned by acts such as Emerson, Lake & Palmer, Debbie Harry, and Celtic Frost.
In addition to his 1980 Academy Award for Alien, Giger was inducted into the Science Fiction and Fantasy Hall of Fame in 2013, recognising his significant contributions to the genres.
H.R. Giger’s work has been showcased in numerous solo and group exhibitions worldwide. Notable exhibitions include:
Hazel Ellis | Ocula | 2025

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services