GROUP EXHIBITION

Narratives of Transformation. Three New Positions stages three distinct responses to a single question: how do form and surface carry change — cultural, personal, psychological — from the inside out? Jordan Rubio’s repeated figures trace subtle shifts in human experience; Johannes Seluga’s built-up and scraped-back layers allow memory-like shapes to press through the paint; Allistair Walter’s fragments lie beneath irregular resin: shimmering, dissolving, recombining. Together, they make transformation palpable, inscribed directly onto the skin of the work.

Jordan Rubio paints through an insistently figurative imagination that resists a settled story. His recurring characters behave like dream residues, insistent presences that return and mutate with each work. These works evoke identity in flux: people rooted in past intimacies, rooms half-remembered, a gentle disquiet hovering beneath the surface. Rubio’s compositional tempo sets hope against reality; the figure becomes a measure of longing, memory and social circumstance at once.

Johannes Seluga’s practice treats surface as language. Paint is applied and scraped through cycles of accretion and erasure until elusive shapes begin to rise. Forms gather and dissolve like recollections assembling and slipping away; interiors blur toward landscape; figures emerge as archetypes, ghosts, emotional architectures briefly held in place. This ambiguity speaks to Seluga’s interest in the threshold between perception and the subconscious.

Allistair Walter approaches transformation through both memory and material. His works layer drawn and collaged fragments, often pulled from lived experience: friendship, intimacy, self-formation. These images are distorted and then submerged beneath uneven pours of resin that render the surface luminous and unstable. Meaning won’t stand still: the works appear, dissolve, reconfigure as light shifts or the viewer moves. Portraits and gestures become spectral, half-held, half-lost.

Across all three practices, the image rests on the surface, but the surface never settles. Meaning lives in that tension, a place where change remains visible.