
Immortal Words :: 字基 splices poetry with genetic code, meditating on the diasporic condition. Boedi Widjaja asks: if history is displaced, how might it take up new space through the body? His 4-line toponymic poem spatialises as DNA nano-sculptures—lines, circles, cubes—released through a capsule ball machine, with the microfluidic molecular writing process unspooled on video. A living, participatory work realized with geneticist Eric Yap (Institute of Digital Molecular Analytics and Science).
Boedi Widjaja (b. 1975, Solo City, Indonesia) lives and works in Singapore. Trained as an architect, he started his career in graphic design, and turned to art in his thirties. His works often connect diverse conceptual references through his own lived experience of migration, culture and aesthetics; and investigate concerns regarding diaspora, hybridity, travel and isolation. The techniques, materials and tools of drawing have become a defining element of his artistic practice. This is expressed through a broad range of media, from architectural installations to text and ‘live art’, with an emphasis on process and bodily engagement.




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