Press Release

ShanghART Beijing is pleased to announce an inaugural solo show in the same name of artist CHEN Wei, opening on May 20, 2017. This is Chen’s first solo show in Beijing over the past 10 years, as well as his first solo in ShanghART Gallery.

Staged mise-en-scène and scenario re-enacting are often seen in Chen Wei’s photography. In recent years, he has been working on the combination of stage setting and multi-media installation as an on-site extension in his work. This exhibition contains the artist’s recent works of photography and installation, which will arouse our reconsideration of facts and imaginations upon city, within the blurred boundaries of fiction and reality constructed by him.

A series of photographs of the urban architecture scene are derived from the ongoing project “New City” , which is about the imagination of the new city, and also about the status of the city in changes. By collecting, synthesizing and rebuilding, landscape is isolated from complex background, in that way, objects acquire clearer semantics.

A set of lighting installation is made up of three different sized LED advertising screens, purchased by the artist in a market. Each screen plays different advertisements and has varying degrees of glitch. Through Chen’s acquisition and resettlement, these exaggerated, blunt, and even rude languages that used to haunt the city, are now glitched materials being brought back to the exhibition.

Sculptures and photography of the Coin series have been initially developed since 2012 (the coins in the fountain) in the group exhibition “ON | OFF” at Ullens Center for Contemporary Art. Chen then gradually switch his focus on the coin and the nameless sculpture in the fountain. After several years of research, he shooted the flashing coins and sculptures that are no longer symbolic.

Chen Wei
Born in 1980, Zhejiang Province, China. Currently lives and works in Beijing.
He has been engaged in sound art and performance, and then turned to the video and installation. Chen Wei has exhibited extensively and internationally at numerous prestigious institutions and biennales.

Recent solo exhibition includes: The Club, Centre for Contemporary Photography (CCP), Melbourne, Australia(2017); Noon Club, programmed by Francesco Bonami, JNBY Art Space, Hangzhou;In The Waves, chi K11 Art Museum, Shanghai (2015).
Recent group exhibition includes: We Chat: A Dialogue in Contemporary Chinese Art, Asia Society Texas Center, Houston, USA; The Work in Progress: Photography from China, Museum Folkwang, Essen, Germany (2015);Performance and Imagination: Chinese Photography 1911 - 2014, Stavanger Art Museum, Stavanger, Norway (2014); My Generation: Young Chinese Artists, Tampa Museum of Art, Tampa, FL. and Museum of Fine Arts, St. Petersburg, Florida, U.S.A.(2014); ON | OFF: China’s Young Artists in Concept and Practice, Ullens Center for Contemporary Art (UCCA), Beijing, China (2012); 28 CHINESE, Rubell Family Collection/Contemporary Arts Foundation, Miami, USA (2013) etc.

Chen Wei is awarded by Asia Pacific Photography Prize in 2011, and nominated by Prudential Eye Awards for Contemporary Asian Art in 2015.

香格纳北京很荣幸地宣布将于2017年5月20日举办艺术家陈维在香格纳画廊的首次同名个展,这也是时隔近10年,陈维在北京 的第一个新个展。

陈维的创作常以舞台装置和情境再造的方式呈现于摄影之中。近年来,他更是不断地以布景和多媒介装置结合的展出形式,将 其工作延伸至现场。此次同名个展包含了艺术家近年最新创作的摄影与装置作品,他以介于虚构与真实的手法带我们重读关于 城市的想象与现实。

一系列关于城市建筑景象的摄影,源自艺术家正在持续的项目“新城”,这是关于对新城的想象,也是关于流变中的城市现 状。艺术家通过搜集与整理,并重新规划搭建,将景物从繁复的背景中孤立出来,使事物于现实的语义中更加明晰。

一组照明装置,是由艺术家购于旧货市场的三件不同尺寸的LED广告屏组成,每个屏幕流动着不同的广告并且都有着不同程度 的故障。艺术家通过收购与重置,将这些流动于都市,夸张而生硬,甚至粗暴的语言,重新作为其创作的素材,伴随着故障, 带回到展厅。

关于硬币系列的雕塑装置与摄影,最初发展于2012年为尤伦斯当代艺术中心的群展《ON|OFF》而作的“金属圆片”系列(许 愿池中的硬币),之后艺术家逐渐将焦点落在许愿硬币和喷水池中的无名雕塑之上。经过几年的走访考察,拍摄并制作了这些 不再充满象征意义的雕塑和闪光的硬币。

陈维,1980年出生于浙江,现生活工作于北京。他曾从事声音艺术与表演,而后转向于影像及装置。其作品在国内外重要展览 与机构频繁展出。

近 期 个 展 : 《 俱 乐 部 》 , 墨 尔 本 当 代 摄 影 中 心 , 墨 尔 本 , 澳 大 利 亚 ( 2 0 1 7 ) ; 《 午 间 俱 乐 部 》 , 由 Fra n c e s c o B o n a mi策 划,JNBY艺术空间,杭州(2016);《在浪里》,K11美术馆,上海(2015)。 近期群展:《We Chat:对话中国当代艺术》,德克萨斯亚洲协会,休斯敦,美国(2016);《China 8: 工作中——来自中 国的摄影》,福克旺美术馆,埃森,德国(2015);《行文表演与想象:中国摄影1911—2014》,斯塔万格美术馆,斯塔万 格,挪威(2014);《我的一代:年轻中国艺术家》,橘郡美术馆,加州,美国(2015),坦帕美术馆,佛罗里达,俄克拉何 马美术馆,俄克拉何马州,美国(2014);《ON|OFF:中国年轻艺术家的观念与实践》,尤伦斯当代艺术中心,北京(2012); 《中华28人》,卢贝尔家族收藏,佛罗里达,美国(2013)等。

陈维于2011年获得亚太摄影奖,2015年英国保诚当代艺术奖提名。

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About the Artist

The photography/installation works of 31-year old artist Chen Wei illustrate an intricate imagination fascinated with the eccentric and fanciful pursuits of early science, mathematics, alchemy, philosophers and madmen. Taxidermy, broken mirrors, melted wax, bats, bees, deserted bedrooms and found objects become the artist’s tableau. With a meticulous attention to details, Chen Wei creates mesmerising scenes that leave the viewer puzzled by their intricate narrative, fantastic visual impact and odd beauty. In some of the works, the sole human subject resembles an absorbed mad scientist or passionate poet, adding feelings of isolation or estrangement to an already bizarre scene.

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Also Exhibiting at ShanghART

About the Gallery

ShanghART gallery was initiated in 1996 in Shanghai. It has since grown to become one of China’s most influential art institutions and a vital resource to the development of contemporary art in China with two spaces in 50 Moganshan Road (Main Space and H-Space), a public warehouse space in West of Shanghai (ShanghART Taopu), and a gallery space in Beijing and representing over 40 artists.

Being recognized for its importance ShanghART became the initial gallery from China participating in major international art fairs like Art Basel and Fiac, Paris. ShanghART gallery also enjoys the great respect of being among the 75 most influencial galleries selected in Thames & Hudson’s publication ‘International Art Galleries: Post-war to Post-millennium.’

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261 Caochangdi, Airport Side Road
Chaoyang District
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Beijing 261 Caochangdi, Airport Side Road, Chaoyang District
ShanghART
261 Caochangdi, Airport Side Road, Chaoyang District, Beijing, China

Opening hours
Tuesday - Saturday
11am - 6pm

Sunday, Monday
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