SHAINA MCCOY

In this new body of work, McCoy (b. 1993, Minneapolis MN) delves into the root system of her family’s archival photographs. A project stewarded by an inter-generational investment in preserving and celebrating family history, of monumental moments and mundane beauty of the everyday, a heart-felt series that holds literal & metaphorical relevance of togetherness.

Inspired by her grandfather, the family photographer, McCoy expounds on the art of archiving what her family is able to capture so well—being together. This series, When There’s Nothing Left, channels a re-envisioned take on her family’s most sincere candids with a perspective mirroring her grandfather’s photography. Taking many of her own photographs now as well, McCoy distinguishes both contributor and time period by her use of color. The poignancy of the quotidian experience of life is treated with the same care and attention to detail, and McCoy’s featureless faces allude to the possibility that the figures might serve as archetypes of a more universal human experience, one where the viewer can imagine how they might place themselves within the work.

Using familial source imagery as reference allows McCoy to explore the personal accessibly, a central characteristic of her practice. The paintings on view in When There’s Nothing Left depict a series of embraces, between adults and children alike, that could be interpreted in a number of ways–some celebratory, others consoling, each an active gesture made static, further memorialising the importance of human connectivity. Fleeting moments, particularly as they pertain to loss, reverberate in this work–the potency of contact between figures, and how they hold each other up, celebrate the relationships we have with those we love, reminding us to honour the time we have and to prioritise the important bonds we share.