
Sprüth Magers is pleased to present a show of Keith Arnatt’s work at the London gallery, focusing on the period 1969 to 1989. The exhibition Eden 69–89 mixes photographs taken around his home on the Welsh border with physical interventions, proposals and jokes that targeted his own and others’ conceptual interests of the late ‘60s and early ‘70s. In texts and contextual interventions shown alongside color and black-and-white photographic works of the ‘70s and ‘80s, there are surprising connections: facileness of analysis exposed, a kind of Beckettian dross associated with that; the totemic, the beautiful; the sharply reductive; the whole thing, the individual, its breakdown in parts.
Keith Arnatt was one of the UK’s leading artists during the emergence of conceptual art in the 1960’s and 1970’s. His work from this period explores the range of possibilities of meaning and function within art, as well as considering how the perception of an artwork operates in relation to the act of creating a work. The artist’s extensive use of photography during this time was mainly to record works whose physicality was connected to specific contexts. From 1973, Arnatt began to develop a growing interest in the camera as an instrument for art making, adopting the camera as his primary tool for producing art rather than simply documenting it. The artist’s subsequent photographic series underscore his analytic method of working, and reveal an observational style influenced by his awareness of the typological preoccupations of artists and photographers such as Bernd and Hilla Becher.




Sprüth Magers has expanded from its roots in Cologne (Germany) to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles–as well as an office in Cologne and an outpost in Hong Kong–Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.

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