
STATION is pleased to present Por la orilla de la quebrada (Along the creek’s edge), Nadia Hernández’s fourth solo exhibition with the gallery.
Hernández is a Venezuelan-born artist currently based in Naarm/Melbourne whose practice critically examines narratives of migration, exile and displacement. Working collaboratively with family members and colleagues both within and beyond Venezuela, Hernández has developed a distinctive visual language that is sensitive to the complexities of diasporic experience.
In this exhibition, Hernández grounds her visual language in scenes of intimacy and everyday life: the hands of her mother decorating a hallaca, a heliconia plant laid on her abuela’s altar, a graduation ceremony, a boy in Mérida with a Venezuelan flag tied around his waist. These images evoke home not as a fixed place, but as something carried, enacted and sustained through shared gesture and memory. What materialises is a home that is felt in the body, spoken into being and held within the practices of everyday life.
Here, memorialisation serves as a form of resistance. Hernández mobilises memory against erasure, asserting the resilience and continuity of Venezuelan identity, culture and collective voice beyond its geopolitical territory. Her works inhabit the fertile space between loss and reconciliation, challenging structures of power while shaping an evolving relationship to her país portátil (portable country).







Nadia Hernández’s multi-disciplinary practice reflects a process of bearing witness to the loss of home and the symbolic power of memory and memorialisation. Informed by her experience as a Venezuelan woman living in Australia, and positioning herself both within and outside the Latinx diaspora, Hernández makes art as a means to connect with a sense of place that exists beyond psy- chic and geographic boundaries. She negotiates complex narratives, weaving the personal and the political, to create a highly recognisable visual language expressed through colourful textiles, paper constructions, paintings, music, installations, sculptures, and murals. Her works weave together the complexities of memory, despair, hope and reconciliation, reminding us that these opposing sensations often co-exist.



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