
In 2025, Su Xiaobai’s lacquer body of work unfolds in layered luminosity at Tina Keng Gallery.
The artist has no intention of elucidating the exhibition title. The Chinese term 幽幽 (yōu yōu) describes a state of deepness and profundity, or a state of ease or silence. For Su, however, it is merely a phrase that has captured how he felt after reading and writing. It came from a notebook he carries around in his pocket, where he jots down snippets and excerpts, or thoughts that remain unsaid. Aside from painting, the artist delights in writing, too. The act of painting exhilarates him, while writing allows him to inscribe onto the pages musings that were never complete.
Text, for him, exists not to proclaim meaning; it simply takes shape in his mind. Just like the works on view in this solo exhibition, they encapsulate lived moments, but resonate beyond a mere record of his life. They chronicle the interaction between time, materiality, and the artist, connoting moments of immersion and subsequent surrender. They attest to his tenacity, as a poignant rendition of lacquer, tile, and hometown.
















Su Xiaobai studied painting at the Wuhan School of Arts and Crafts, the Wuhan Institute of Painting, and the Hubei Institute of Fine Arts before attending the Beijing Central Academy of Fine Arts, where he studied the techniques of traditional painting and accumulated his abilities in expressive techniques. He was later awarded a German Cultural and Art scholarship to participate in the graduate program offered by the Düsseldorf Academy of Fine Arts in Germany in 1987. Under the guidance of Konrad Klapheck, Gerhard Richter, and Markus Lupertz, he strived to break away from the skills he mastered in Beijing, and develop a visual language rich in personal experience, life observation, and abstract symbols.
The Tina Keng Gallery has its roots in the Lin & Keng Gallery (1992–2009) based in Taipei, Taiwan and Beijing, China. Delving into Chinese art history, Lin & Keng was instrumental in promoting the work of Asian classical masters. The Tina Keng Gallery has continued this tradition by supporting Greater Chinese contemporary art, with a steadfast focus on nurturing Taiwanese art.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services