
Victoria Miro is delighted to present The Seven Deadly Sins, a major new series of paintings by Chris Ofili. Completed over the past six years, the works on view offer an expansive meditation on sin and the complex experience of sinfulness.
In this series of works Chris Ofili contemplates the seven deadly sins – a subject with Biblical origins that bears fundamentally on the human condition and human behaviour. The artist intended each painting not to cleave to a particular sin, but to encompass a spectrum of excessive and transgressive behaviours. Moving through dreamlike realms at once paradisiacal, other-worldly and cosmic, these works depict scenes where humans and mythological creatures co-exist. The natural world is fecund and mysterious in this territory of sinfulness, a place where magnetic forces of attraction and repulsion hold sway. It seems born of a liminal, trance-like state, perhaps between wake and sleep, when strange visions swim up into the mind’s eye from a creative, playful place in the unconscious that has little to do with the strictures of rationality.
Accompanying the exhibition is a new publication: Ofili invited seven writers – Hilton Als, Inua Ellams, Marlon James, Anthony Joseph, Ayanna Lloyd Banwo, Attillah Springer and Lynette Yiadom-Boakye – to contribute to this book. Like Ofili’s paintings, their poems and narratives are not confined to illustrating single sins but meditate, personally and expansively, on the seven deadly sins.

In Chris Ofili’s work painterly and cultural elements – both sacred and profane, personal and political, from high art and popular culture – come together to play on ideas of beauty while carrying messages about black culture, history and exoticism. Ofili came to prominence in the early 1990s with richly orchestrated paintings combining rippling dots of paint, drifts of glitter, collaged images and elephant dung – varnished, often studded with map pins and applied to the picture surface as well as supporting the canvas – a combination of physical elevation and symbolic link to the earth. He won the Turner Prize in 1998 and over the past two decades has exhibited in many international institutions. In 2003 he was selected to represent Britain at the 50th Venice Biennale, where he presented his ambitious exhibition Within Reach. In 2010 Tate Britain presented an extensive survey of his work and in 2014, Night and Day, held at the New Museum, New York, featured more than thirty of Ofili’s major paintings, in addition to drawings and a selection of sculptures from across his career. The exhibition travelled to the Aspen Art Museum in Colorado in 2015.


A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services