
Victoria Miro is delighted to present two exhibitions by Grayson Perry in London and Venice. The Venice exhibition features ceramics and works in silver and bronze, and works on paper including collages and a new etching.
Ceramics on view in Venice include the pots Luxury Brands for Social Justice, 2017, and Searching for Authenticity, 2018, both of which look at the assertion of identity through cultural or consumer choices and what these reveal about us, intentionally or otherwise. Decorated with images of beaming individuals, blissfully happy at work or at sun-kissed leisure, Searching for Authenticity broaches the slippery concepts of meaning and significance, life and lifestyle–what can be authentically experienced or simply acquired. Writing about the work, Perry comments, ‘the narcissistic Instagram culture is a main theme. I often think that when people go on holiday they want to appear in the photographs they have seen in the brochure... Searching for Authenticity comes from my fascination with the rapidly crystallising clichés of the so-called ‘experience economy’. The global conformity of those who refuse to be labelled.’
A new work, the large-scale etching Our Town, 2022, is a map inspired by Perry’s experience of social media during lockdown, a place that to the artist seems ‘quaint... but beneath the surface it is seething with snobbery, grievance and disappointment. Wherever you go you could trip over a modern cliché or an annoying neologism. Words are boxes and triggers and slurs. It is best to be a wry flâneur in Our Town.’
A new three-part series, Grayson Perry’s Full English, in which Perry travels around England as he tries to uncover what Englishness means today, begins on Channel 4 at 9pm on 26 January 2023.
Grayson Perry is a great chronicler of contemporary life, drawing us in with wit, affecting sentiment and nostalgia as well as, at times, fear and anger. In his work, Perry tackles subjects that are universally human: identity, gender, social status, sexuality, religion. Autobiographical references – to the artist’s childhood, his family and his transvestite alter ego Claire – can be read in tandem with questions about décor and decorum, class and taste, and the status of the artist versus that of the artisan. Perry uses the seductive qualities of ceramics and other art forms to make stealthy comments about society, its pleasures as well as it injustices and flaws, and to explore a variety of historical and contemporary themes. He works with traditional media such as ceramics, cast iron, bronze, printmaking and tapestry, and is interested in how each historic category of object accrues intellectual and emotional baggage over time.



Since Victoria Miro founded her eponymous gallery in Cork Street, Mayfair, in 1985, the gallery has grown to represent over 40 artists and estates. With a reputation for presenting ground-breaking artworks from around the world, Victoria Miro has exhibition spaces in Mayfair and Wharf Road in London, and a further gallery space in Venice.

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