Ocula MagazineContentsView All
Featured ContentView All
Ocula ReportIranian Art at LACMA: In the Fields of Empty Days12 Jun 2018 : Perwana Nazif for Ocula{{document.location.href}}
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art at the Los Angeles County Museum of Art (LACMA, 6 May–9 September 2018), explores 'the continuous and inescapable presence of the past in Iranian society.' Curated by Linda Komaroff, curator of Islamic art and head of LACMA's Art of the Middle East department, the...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}
Ocula ConversationLaure Prouvost{{document.location.href}}
Laure Prouvost's most recent exhibition in New York at Lisson Gallery (9 March–14 April 2018) was a gesamtkunstwerk of sorts. The show spread through the entire 10th Avenue gallery space and included two years of artistic production: installation, sculpture, painting, textile, sound and moving image. Uncle's Travel Agency Franchise, Deep Travel...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}
Ocula ReportDak’Art Biennale 2018: The Red Hour1 Jun 2018 : Federica Bueti for Ocula{{document.location.href}}
On my last evening in Dakar, I made my way to Yarakh, a neighbourhood on the eastern side of the Senegalese capital, where I was guided down a narrow sandy path toward a beach where a group of actors, artists, and locals were taking part in or attending the performance Xeex Bi Du Jeex (a luta continua). The play was written collaboratively in 2018...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}

Grayson Perry is an English born artist known mainly for his ceramic vases and tapestries, which depict subject matter that often contrast his somewhat conservative choice of medium.  A variety of both historical and contemporary themes are explored throughout Grayson Perry’s work, with particular attention given to the artist’s interest in societal injustices and hypocrisies.

Perry’s work often contains an autobiographical element with the artist alluding to his childhood, his family, and most notably – his transvestite alter ego Claire. Perry’s rich and detailed works draw the viewer in through their various narratives and an ability to evoke nostalgia and sentiment alongside fear and anger. Perry’s vessels, despite their often dark and challenging subject matter, are deeply alluring.

Grayson Perry was the winner of the 2003 Turner Prize and was elected as a Royal Academician in 2012; the following year, he received a CBE in the Queen’s Birthday Honours List and was awarded the prestigious appointments of Trustee of the British Museum and Chancellor of the University of the Arts London in 2015.

His major exhibitions have included the Tomb of the Unknown Craftsman at the British Museum (2011-2012), a major retrospective at the Museum of Contemporary Art, Sydney (December 2015 – May 2016), and solo presentations including those at the National Portrait Gallery, London (2014-2015), Andy Warhol Museum, Pittsburgh (2006), and Stedelijk Museum, Amsterdam (2002). Other projects include the permanent building A House for Essex, a collaboration with FAT Architecture in the North Essex countryside, and the documentary, Why Men Wear Frocks, produced by Twofour for Channel 4.

Grayson Perry lives and works in London.

Read More

Be the first to know when new artworks and exhibitions by Grayson Perry are added to Ocula.

 

{{currentArtwork.ArtistName}}{{currentArtwork.Artist.FullName}}

{{currentArtwork.Title}}

{{currentArtwork.Medium}}{{currentArtwork.Medium && currentArtwork.Medium.substring(currentArtwork.Medium.length -1) != ',' && currentArtwork.Edition ? ',' : ''}} {{currentArtwork.Edition}}


{{currentArtwork.Signature}}


{{currentArtwork.Origin}}

Follow favourite artists and galleries, be notified of new artworks and exhibitions, use our price enquiry service and receive the Ocula newsletter. It's free.

Sign Up
 Sign Up with Facebook
By signing up you accept our Terms & Conditions, Privacy Policy and to
receiving the Ocula e-newsletter. Registration with Ocula is free.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

OutlookiCal GoogleYahoo