
White Cube Hong Kong presents ‘When the Surface Thinks’, a solo exhibition by Paris-based Chinese artist Yunyao Zhang (b. 1985, Shanghai). With this new body of work, the artist contends that meaning can reside within a surface – proposing painting as a sentient field that registers, reflects and thinks.
The exhibition presents large-scale, illusionistic abstractions from Zhang’s ‘Connector’ series (2022–present), tight close-ups of carved heads from the ‘Time’ series (2021–present), and studies of classical statuary. These works subvert the traditions of Soviet Realism and the French Beaux-Arts that informed Zhang’s early academic training.
Central to the artist’s practice is his use of graphite on felt, a material that is both light-absorbent and resistant to revision. Unlike oil on canvas, which allows for overpainting and correction, graphite becomes embedded into the textured plane. Through a sustained and highly physical process, Zhang builds tonal depth across the textile’s flatness, creating images that appear at once sculptural and weightless.









Zhang Yunyao (b. 1985) graduated from the Department of Oil Painting, Academy of Fine Arts at Shanghai Normal University (2007). By incorporating felt as the support for the medium of painting, he attempts to explore the unfixed meaning of emotions and desires.



An international art powerhouse, White Cube was established in 1993 in London by art dealer Jay Jopling. In its space on Duke Street, it served as the early exhibition venue for many now internationally acclaimed British artists, including Tracey Emin, Gilbert & George, Rachel Kneebone and Antony Gormley, who still show with the gallery today.

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