
Xavier Hufkens is honoured to present a new exhibition of works by Thierry De Cordier spanning the period from 1983 to today — none of which have previously been exhibited. The exhibition, nonetheless, is not intended to be a retrospective.
De Cordier might best be described as a non-academic thinker who makes things. His oeuvre includes, but is not limited to, photographs, drawings, placards, paintings, sculptures, assemblages and bricolage. These ‘objects’ and ‘non-objects’, as he calls them, can be viewed as representations of his thinking. They visualize his ideas and, as such, are illustrative of them. Simply put, his oeuvre is a philosophy expressed in images. De Cordier’s worldview leans heavily towards Albert Camus’ concept of Absurdism, which describes the futility of searching for significance in an incomprehensible universe, devoid of either God or meaning. In other words, people merely exist. Or, as De Cordier says: ‘Inutile, l’homme est là à être là inutilement...’ [Useless, man is there just being there uselessly...].
Thierry De Cordier (b. 1954, Ronse, Belgium) currently lives and works in Ostend, Belgium. A large room dedicated to his work was included in the exhibition The Encyclopaedic Palace at the Venice Biennale (2013). Solo exhibitions include Iconotextures at Royal Museums of Fine Arts of Belgium, Brussels (2016); Landschappen at BOZAR, Brussels (2012); and Drawings at the Centre Pompidou, Paris (2004-2005). He represented Belgium at the Venice Biennale in 1997.
Thierry De Cordier is a philosopher, performer, sculptor, writer and poet. As a young artist, he lived a nomadic existence that caused him to reflect upon architecture as a model for social relations. For a long time, his garden was a substitute and a metaphor for the world. Later, he turned his back to the world to look at the sea. Thierry De Cordier is an existential artist who tries to understand the world through his own experience. His work is the result of a personal quest: a search for his own identity, his relationship to the world, and his role within society. His work, in which the infinitely small is reflected in the infinitely big, develops organically from his inner psyche. In the last few decades, Thierry De Cordier has dedicated himself to painting. Recurrent themes include mountains, seascapes and desolate landscapes that are partly inspired by the vast, black and white topographical paintings made in China during the 17th and 18th century, yet capture the essential qualities of the landscape and light of Northern Europe. The grey skies and ink black seas of his monochromatic paintings evoke melancholy, with the most dramatic scenes being those in which waves and mountainous cliffs fuse together to embody the forces of nature within a single primal image.



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