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Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula

Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...

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Reiko Tomii Ocula Conversation Reiko Tomii

In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...

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Andrew Browne

b. 1960, Australia

Though predominantly a painter, Andrew Browne is also known for his works of photography, charcoal drawings, photogravure, intaglio, lithography and sculpture. Claiming diverse influences, including Jamie Hewlett (best known for creating the virtual band Gorillaz) and Akira Kurosawa (the influential filmmaker), Browne scrutinises the natural world and manmade interventions upon it, often fixating on minute details.

Much of Browne's work centres around an approach that he describes as an 'accumulation of glimpses'. The sense of amassed moments manifests in multiple ways, most clearly in his repetition of certain imageries through different media. For example, the abandoned balloon with a smiley-face in a forest that appears in the photographs From the Periphery #2 (2010), Smiley-Lost (2012), or #9 (2016), also features in the oil painting Deflated (2011). Utilising another medium to recreate similar compositions, Brown seeks to reach a greater understanding of the moment he has captured.

Gnarled tree branches are a common theme in Browne's drawings, paintings, and photographs. In the charcoal drawing #30 (2014), a branch is so highly stylised as to appear almost alien; its disorientation and uncanniness are emphasised by the tightly cropped framing—a common compositional strategy in Browne's work. In his oil painting A visitation (blue) (2015), Browne depicts a similar branch but with colour, including a blue sky that gradates into black in the bottom. Compared to the stark contrast of black and white in #30, the variations in focus and blur in the painting makes it possible to detect a sense of motion in the branch.

While Browne's tree branches convey a somewhat malevolent presence—a sentiment echoed in his charcoal works depicting water and waterfalls—other works cultivate a more hopeful and playful quality. In his 'Pavement' series (2016), the artist records small, odd, and banal moments that would otherwise be lost, pineapple ring discarded on a footpath in #11 (2016), slumped on top of its damp trace, or the small piece of rectangular wood somehow resting on a wire netting in #8 (2016). In the same series, however, works such as #9 with the smiley-face and #4 (2016), depicting a graffitied mask that peeks through a hole on a wooden fence, also point to a potentially destructive and unnecessary manmade intervention on nature.

Browne lives and works in Melbourne.

Casey Carsel | Ocula | 2018
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Featured Artworks

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Study for Spill #4 by Andrew Browne contemporary artwork Andrew BrowneStudy for Spill #4, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Study after Fall #2 by Andrew Browne contemporary artwork Andrew BrowneStudy after Fall #2, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Spill by Andrew Browne contemporary artwork Andrew BrowneSpill, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Frozen by Andrew Browne contemporary artwork Andrew BrowneFrozen, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Drawing by Andrew Browne contemporary artwork Andrew BrowneDrawing, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Threhold by Andrew Browne contemporary artwork Andrew BrowneThrehold, 2018 Oil on linen
152 x 605 cm
Tolarno Galleries
Spill #4 by Andrew Browne contemporary artwork Andrew BrowneSpill #4, 2018 Oil on linen
151.5 x 110.5 cm
Tolarno Galleries
Spill #3 by Andrew Browne contemporary artwork Andrew BrowneSpill #3, 2018 Oil on linen
152.2 x 98.2 cm
Tolarno Galleries

Recent Exhibitions

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Contemporary art exhibition, Andrew Browne, Spill at Tolarno Galleries, Melbourne
Closed
7 June–7 July 2018 Andrew Browne Spill Tolarno Galleries, Melbourne
Contemporary art exhibition, Group Exhibition, @50 Part 2 at Tolarno Galleries, Melbourne
Closed
28 July–12 August 2017 Group Exhibition @50 Part 2 Tolarno Galleries, Melbourne
Contemporary art exhibition, Group Exhibition, @50 Part 1 at Tolarno Galleries, Melbourne
Closed
6–22 July 2017 Group Exhibition @50 Part 1 Tolarno Galleries, Melbourne

Represented By

In Related Press

Andrew Browne 'Spill' at Tolarno Galleries Related Press Andrew Browne 'Spill' at Tolarno Galleries Memo Review : 2 July 2018

To call Andrew Browne's practice 'disquieting' would, of course, be to say nothing new. In fact, a scan of the literature on his work shows that this, in some register or another, is about the only consistent thing said about his gothic greyscale drawing, painting and photography: it is disquieting, filled with suspense, dream-like, humming with...

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Andrew Browne, winner of the Geelong Contemporary Art Prize Related Press Andrew Browne, winner of the Geelong Contemporary Art Prize Tolarno Galleries : 12 June 2018

In a ceremony at Geelong Art Gallery on Friday 8 June, Andrew Browne was named the winner of the 2018 Geelong contemporary art prize for his work, The awakening. A biennial acquisitive award for contemporary painting with a cash prize of $30,000, the judging panel comprised Justin Paton (Head Curator of International Art, Art Gallery of New South...

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