Andrew Thomas Huang is a visual artist and film director acclaimed for his fantastical moving-image works, Grammy-nominated music videos, and immersive installations that bridge mythology, technology, and queer identity. Known for collaborations with Björk, FKA twigs, and Thom Yorke, Huang’s practice spans film, sculpture, and digital art, crafting hybrid dreamscapes that have been exhibited at MoMA, the Biennale of Sydney, and other leading institutions. His work stands out for its innovative world-building, blending puppetry, VFX, and folklore to explore the boundaries of the human and non-human, the real and the imagined.
Born in Los Angeles in 1984, Huang studied Fine Art and Animation at the University of Southern California, graduating in 2007. Growing up queer and influenced by his Chinese American heritage, he developed a lifelong fascination with puppetry, mythology, and visual effects, which would later become central to his art. Huang lives and works in California and is the grandson of the Chinese scholar and activist Huang Wenshan.
Huang’s contemporary art practice is defined by his ability to create immersive, hybrid fantasy worlds that draw on his queer Asian heritage, digital technology, and ancient mythologies. His works often feature ‘queer morphologies’—avatars and characters that straddle the boundaries between gender, species, and reality.
Huang is internationally recognised for his Grammy-nominated music video for FKA twigs’s ‘Cellophane’ (2019), as well as acclaimed videos for Björk (‘Mutual Core’, ‘The Gate,’ ‘Black Lake’), Thom Yorke, and Atoms for Peace. His collaboration with Björk extended to serving as creative director for the VR exhibition Björk Digital, producing multiple immersive experiences for the installation.
Huang’s short films, including Kiss of the Rabbit God (2019, Tribeca Film Festival) and Solipsist (2012, Special Jury Prize at Slamdance), use live action, animation, and VFX to explore queer desire, spirituality, and transformation. His feature film Tiger Girl—supported by Sundance and Film Independent—continues his exploration of Asian folklore, with the tiger as a symbol of liberation.
For the 24th Biennale of Sydney (2024), Huang debuted his first major sculptural work, The Beast of Jade Mountain: Queen Mother of the West (2023—2024), a monumental depiction of the Chinese goddess Xiwangmu as a tiger—an avatar of power, hybridity, and myth. Huang’s installations have also been shown at MoMA PS1, the Barbican Centre, and the Museum of Contemporary Art, Los Angeles.
The Beast of Jade Mountain: Queen Mother of the West, Biennale of Sydney (2024)
Grammy Award nomination, Best Music Video, FKA twigs “Cellophane” (2019)
Special Jury Prize for Experimental Short, Slamdance Film Festival, Solipsist (2012)
Sundance and Film Independent support for feature film Tiger Girl
Andrew Thomas Huang has been the subject of exhibitions globally. Below is a selection of important exhibitions, and spaces he has shown his creations.
The Beast of Jade Mountain: Queen Mother of the West, Biennale of Sydney, White Bay Power Station, Sydney (2024).
Björk Digital, touring exhibition, including MoMA PS1, New York; Barbican Centre, London; and Sydney Opera House (2015—2019)
Mana Contemporary BSMT: Miami Art Week, Miami (2017)
Gallery MOMO, Cape Town (2016)
Milk Gallery, New York (2016)
Postmasters Gallery, New York (2016)
MoMA PS1, New York (2015)
Museum of Contemporary Art, Los Angeles (2012)
Website and InstagramAndrew Thomas Huang’s website can be found here, and his Instagram here.
Andrew Thomas Huang’s artworks and installations have been exhibited at the Museum of Modern Art (New York), MoMA PS1, the Barbican Centre (London), Museum of Contemporary Art (Los Angeles), and the Biennale of Sydney (2024)
Andrew Thomas Huang is best known for his Grammy-nominated music videos for FKA twigs and Björk, his innovative digital art and installations, and his exploration of queer Asian identity through myth and technology.
His art explores hybridity, queerness, mythology, digital fantasy, and the boundaries between the human, animal, and divine.
He has been nominated for a Grammy Award, received a Special Jury Prize at Slamdance, and has had his feature film project Tiger Girl supported by Sundance and Film Independent.
Andrew Thomas Huang is the grandson of Chinese scholar Huang Wenshan, identifies as queer, and is known for blending puppetry, VFX, and folklore in his practice.
Ocula | 2025

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