b. 1958, United Kingdom

Cerith Wyn Evans Biography

Working primarily with neon lights, Welsh artist Cerith Wyn Evans creates monumental sculptures that often incorporate text and examine the various forms of translation between language, sound, and medium while engaging with notions of perception.

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Cerith Wyn Evans studied in London, graduating from St Martin's School of Art in 1980 and receiving an MA in Film and Video from the Royal College of Art in 1984. Early in his career, the artist created experimental films while working as an assistant to film director Derek Jarman and working on various collaborative projects. Wyn Evans began to explore installation and sculpture in the 1990s, developing a practice that focuses on language and the expression of form and space.

In his text-based neon sculptures, Cerith Wyn Evans examines the translation of languages and the transmutation of text into sculpture. Therein he references the work of Emily Dickinson, Gertrude Stein, and Marcel Proust, as with F=O=U=N=T=A=I=N (2020): a wall of white neon lights that feature a Japanese translation of a paragraph from Proust's Sodom and Gomorrah (1921–1922). Exhibited at the artist's solo show No realm of thought... No field of vision at London's White Cube in 2020, the text would have been illegible to the majority of the audience, despite its clarity.

Cerith Wyn Evans also explores ideas of legibility by engaging with different forms of communication systems, often engineering lights to emanate differently according to Morse code or music. The pair of glass chandeliers in S=U=T=R=A (2017), for example, emit light that matches two piano scores composed and played by the artist, while in StarStarStar/Steer (totransversephoton) (2019) tall columns are erected close to one another, pulsating light to evoke an immersive environment.

Wyn Evans is also known for his scribble-like neon lines and curves that intervene in space. His 'Neon Forms (after Noh)' (2015–2019) series traces the movements of actors of the Japanese Noh theatre form, transmuting the otherwise ephemeral acts into a concrete shape. Forms in Space...by Light (in Time), commissioned by Tate Britain in 2017, is a similarly expressive monumental sculpture suspended from the ceiling.

In addition to featuring Cerith Wyn Evans' characteristic neon lights, which twist and spiral, Forms in Space...by Light (in Time) featured three skewed concentric discs that directly reference Marcel Duchamp's 'Oculist Witnesses', which appear in works by the French artist such as The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (1915–1923).

Wyn Evans was the winner of the Hepworth Prize for Sculpture 2018 for Composition for 37 Flutes (in two parts): a suspended sculpture consisting of two glass rings spiked with glass flutes. Each ring, connected to a mechanical lung, produces a humming sound through the instruments.

In 2019, Milan's Pirelli HangarBicocca presented ...the Illuminating Gas: a major solo exhibition of Cerith Wyn Evans artworks from the 1990s on. The artist has also participated in the Venice Biennale twice: in 2003, when he represented Wales in its first-ever pavilion; and in 2017 as part of the 57th International Art Exhibition, Viva Arte Viva.

Cerith Wyn Evans Solo Exhibitions include:

...Being and Neonthingness, Galerie Buchholz, Cologne (2020); No realm of thought... No field of vision, Pola Museum of Art, Hakone, Japan (2020); Cerith Wyn Evans, Museo Tamayo, Mexico City (2018); Radiant fold (...the Illuminating Gas), National Museum Wales, Cardiff (2018); Flare/shrine, Michael Lett, Auckland (2016); Cerith Wyn Evans, White Cube, London (2015); Cerith Wyn Evans, Serpentine Sackler Gallery, London (2014).

Cerith Wyn Evans Group Exhibitions include:

No Dandy, No Fun, Kunsthalle Bern, Switzerland (2020); 40,000: A Museum of Curiosity, 14th Fellbach Triennial, Germany (2019); Memory Palace, White Cube, London (2018); Soziale Fassaden, Museum of Modern Art, Frankfurt (2018); DRAG: Self-portraits and Body Politics, Hayward Gallery, London (2018); Musicirus, Centre Pompidou-Metz, France (2016).

Cerith Wyn Evans lives and works in London. In 2011 he was commissioned by the Vienna State Opera to design the safety curtains for 2011-2012 opera season. Recent solo exhibitions include Serpentine Sackler Gallery, London (2014), Kunsthall Bergen (2011), Tramway, Glasgow (2009), Inverleith House, Edinburgh (2009), MUSAC, Leon (2008), Musée d'art moderne de la ville de Paris (2006) and Kunsthaus Graz (2005). In 2009 he collaborated with Florian Hecker and Thyssen-Bornemisza Art Contemporary on No night No day at the 53rd Venice Biennale and has also particpated in the Moscow Biennial (2011), Aichi Triennale (2010), the Yokohama Triennale (2008), the International Istanbul Biennial (2005) and the Venice Biennale (2003).

Sherry Paik | Ocula | 2020

Cerith Wyn Evans Featured Artworks

View All (37)
...peal (I) and (II) by Cerith Wyn Evans contemporary artwork print
Cerith Wyn Evans ...peal (I) and (II), 2020 Archival inkjet print on 300gsm Somerset photo satin paper with cut out
38.5 x 38.5 cm
White Cube Contact Gallery
Come (I) by Cerith Wyn Evans contemporary artwork sculpture
Cerith Wyn Evans Come (I), 2017 Neon
95 x 95 cm
White Cube Contact Gallery
Monochromes (BLK) II-IV by Cerith Wyn Evans contemporary artwork painting, works on paper
Cerith Wyn Evans Monochromes (BLK) II-IV, 2020 Gloss paint on canvas
91.2 x 61 cm
White Cube Contact Gallery
Column 12 by Cerith Wyn Evans contemporary artwork sculpture
Cerith Wyn Evans Column 12, 2008 Wood, 48 fluorescent tubes and lamp fixtures
420 x 58 cm
Fortes D'Aloia & Gabriel Enquire
Neon Forms (after Noh V) by Cerith Wyn Evans contemporary artwork sculpture
Cerith Wyn Evans Neon Forms (after Noh V), 2018 Neon
270 x 246 cm
Marian Goodman Gallery Contact Gallery
Remote Interlude by Cerith Wyn Evans contemporary artwork installation
Cerith Wyn Evans Remote Interlude, 2018 Noguci ceiling lamp (Model E), independent breather unit and flash player
295 x 48 x 48 cm
Michael Lett Contact Gallery
flare/shrine (I) by Cerith Wyn Evans contemporary artwork photography
Cerith Wyn Evans flare/shrine (I), 2016 Black and white photograph,
35 x 26 cm
Michael Lett Contact Gallery

Cerith Wyn Evans Recent Exhibitions

View All (9)

Cerith Wyn Evans Represented By

Fortes D'Aloia & Gabriel contemporary art gallery in São Paulo, São Paulo, Brazil
Fortes D'Aloia & Gabriel Rio de Janeiro, São Paulo
Galerie Buchholz contemporary art gallery in Berlin, Germany
Galerie Buchholz Berlin, Cologne, New York
Marian Goodman Gallery contemporary art gallery in New York, USA
Marian Goodman Gallery London, New York, Paris
Michael Lett contemporary art gallery in Karangahape Road, Auckland, New Zealand
Michael Lett Auckland
White Cube contemporary art gallery in Mason's Yard, London, United Kingdom
White Cube Hong Kong, London, New York, Paris, West Palm Beach

Cerith Wyn Evans In Ocula Magazine

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