
Robert Elfgen explores the relationship between humankind and nature through a distinctly mythical, poetic lens. His assemblages, collages, light objects, and floor- and wall pieces are often staged as room-filling installations that unfold like immersive paintings. On the occasion of Gallery Weekend Berlin, Sprüth Magers is pleased to present utopisch, a solo exhibition of new and recent works by the artist. Contrast serves as a foundational principle in Elfgen’s practice. His new sandblasted glass panes—set within wooden frames he built himself—range from filigree organic motifs to geometrical shapes that coalesce into industrial structures. These sculptural pieces divide the exhibition space while simultaneously connecting it through their transparency. In his paintings, materials shape the imagery: Elfgen layers pigments onto wooden supports, then sands them back to reveal grain patterns that become atmospheric elements like fog or overcast skies. Through controlled use of color and light, he imbues his unexpected subjects with a subtle romanticism, creating an artistic universe rooted in everyday observation yet attuned to mythic resonance.




Mimesis, the interpretive reproduction of nature, was long considered to be the most important duty of art. Theorists of all epochs, referring back to Aristotle, called upon artists to feel and understand the chaos and order of the natural world in such a way that meaning suddenly became visible there where none could be recognised before. Robert Elfgen’s artistic work also focuses in an unusually direct manner on this task which, with the advent of modernism, was pushed to the side and neglected. In recent years, Elfgen has created a unique œuvre in which he applies complex artisanal techniques to found pieces from nature and from his everyday life, and assembles them into an atmospherically charged, intensely personal form of bricolage. The realities of art and life come together in this position. Art becomes nature, nature becomes art.




Sprüth Magers has expanded from its roots in Cologne (Germany) to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles–as well as an office in Cologne and an outpost in Hong Kong–Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.

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