Georg Wilson’s artistic practice is pinned to the cycle of the English seasons—her paintings weave landscape, history, folklore and custom, foregrounding natural forms (layers of leaves, roots and mysterious skies) alongside almost-human figures in fantastical worlds apparently untouched by industry or capitalist progress.
Georg Wilson was born in London in 1998. She gained her BA in history of art at the University of Oxford, graduating in 2020. She studied for her MA in painting at the Royal College of Art in London, graduating in 2022. During this period, she co-founded (with Jack Chauncy) All Mouth Gallery, an online enterprise creating an environment for “slow viewing” of contemporary art, showcasing one artist every seven days (based on the National Gallery’s practice in the Blitz during the Second World War, when one painting would be shown per week).
Georg Wilson’s paintings are influenced by history and ecology, as she says herself “directed by the cyclical change of the English seasons”. Her practice rails against the traditional idea of “landscape painting”, moving away from the idea of images of fields and hills commissioned by landowners and into a realm where nature sets the agenda.
In a 2025 interview, Wilson explained that different artists have inspired her throughout her career, and that she also researches English poetry when considering titles for her exhibitions. She said: “When I was interested in 15th- and 16th-century British painting, Holbein and Nicholas Hilliard, I would glean titles from Tudor love poems.” For her 2025 show The Last Oozings she looked at the Pre-Raphaelites, Samuel Palmer, and read John Clare’s and John Keats’ poems on nature.
Georg Wilson’s painting practice is tied to the English seasons, so her colour palette changes alongside the seasonal cycle—she moves from vibrant greens and reds into browns and yellows. Speaking about her 2025 exhibition The Last Oozings, she said: “My colour palette has shifted... oozing with saturated tones: pinky oranges against sludgy greens and bright yellow light.”
Wilson works on a few paintings at once. She makes observational drawings, studies books and botanical manuscripts and collects postcards. The feelings and imagery in her work may also be inspired by walking outside, reading or her dreams.
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