Georg Wilson Biography

Georg Wilson’s artistic practice is pinned to the cycle of the English seasons—her paintings weave landscape, history, folklore and custom, foregrounding natural forms (layers of leaves, roots and mysterious skies) alongside almost-human figures in fantastical worlds apparently untouched by industry or capitalist progress.

Early Years

Georg Wilson was born in London in 1998. She gained her BA in history of art at the University of Oxford, graduating in 2020. She studied for her MA in painting at the Royal College of Art in London, graduating in 2022. During this period, she co-founded (with Jack Chauncy) All Mouth Gallery, an online enterprise creating an environment for “slow viewing” of contemporary art, showcasing one artist every seven days (based on the National Gallery’s practice in the Blitz during the Second World War, when one painting would be shown per week).

Georg Wilson: Artworks

Georg Wilson’s paintings are influenced by history and ecology, as she says herself “directed by the cyclical change of the English seasons”. Her practice rails against the traditional idea of “landscape painting”, moving away from the idea of images of fields and hills commissioned by landowners and into a realm where nature sets the agenda.

  • In 2025’s Dawn Place the sun rises, reminiscent of a slice of lemon against a green-yellow sky, illuminating a mound beneath. It’s a small oil-on-panel work that radiates light and glow.
  • Vespertine (Thorn Apple) (2025) again depicts a glowing object—this time the moon, rendered in lilacs and browns, illuminating a hollow at twilight where a thorn apple grows. But we are also allowed to see what’s happening below ground. “I wanted this twilight palette to also suggest a hidden realm,” she said.
  • The oil painting Green to My Eyes, Green to My Heart (2025) focuses on one of Wilson’s semi-human figures, arm bent over the head, finger in ear and armpit on display. Tendril curls of hair are reminiscent of the fronds of the plant to the left of the composition; a green, yellow and peach colour palette pops against a very dark background.

Georg Wilson: Select Exhibitions

Select Solo Exhibitions

  • The Ancient Pulse of Germ and Birth, Gainsborough’s House, Sudbury (2026)
  • Against Nature, Pilar Corrias, London (2026)
  • The Earth Exhales, Jupiter Artland, Edinburgh (2025)
  • The Last Oozings, Pilar Corrias, London (2025)
  • Time Held Me Green and Dying, Public Service Gallery, Stockholm (2024)
  • What Mad Pursuit, Berntson Bhattacharjee Gallery, London (2023)
  • In May, I Sing Night and Day, Palazzo Monti, Brescia (2023)
  • This Other Eden, Kravets Wehby Gallery, New York City (2022)
  • The Garden Thief, Arusha Gallery, Bruton (2022)
  • Bearded with Moss, Arusha Gallery, London (2022)

Select Group Exhibitions

  • Soft Spot, Pilar Corrias, London (2026), UK
  • An Uncommon Thread, Hauser & Wirth, Bruton (2025)
  • Magic, Alchemy and Occultism, Lévy Gorvy Dayan, London (2024)
  • Episode II: Figuring Out Britain, Matt Carey-Williams, Seoul (2024)
  • The Nature of Things, Castor Gallery, London (2024)
  • Realms, Carl Freedman Gallery, Margate (2024)
  • Enchanted Femininity: Surrealism and Witchcraft, Lamb Gallery, London (2023)
  • Pocket Universe, Philip Martin Gallery, Los Angeles (2023)
  • We Are Floating in Space, Newlyn Gallery (2023)
  • Who Is Your Master?, 1969 Gallery, New York City (2023)
  • An Allegory of Love and Time, New Normal Projects, London (2022)
  • The Red Room, Berntson Bhattacharjee, London (2022)
  • Amphibian, Hannah Barry Gallery, London (2022)
  • Buffer, Guts Gallery, London (2022)
  • Safe as Milk, Arusha Gallery, Edinburgh (2021)
  • Les Danses Nocturnes, East Contemporary, Entreveaux (2021)
  • Pigeon Park, Manor Place, London (2021)

Further Reading

Georg Wilson FAQs

Who are Georg Wilson’s influences?

In a 2025 interview, Wilson explained that different artists have inspired her throughout her career, and that she also researches English poetry when considering titles for her exhibitions. She said: “When I was interested in 15th- and 16th-century British painting, Holbein and Nicholas Hilliard, I would glean titles from Tudor love poems.” For her 2025 show The Last Oozings she looked at the Pre-Raphaelites, Samuel Palmer, and read John Clare’s and John Keats’ poems on nature.

How does Georg Wilson choose her colour palette?

Georg Wilson’s painting practice is tied to the English seasons, so her colour palette changes alongside the seasonal cycle—she moves from vibrant greens and reds into browns and yellows. Speaking about her 2025 exhibition The Last Oozings, she said: “My colour palette has shifted... oozing with saturated tones: pinky oranges against sludgy greens and bright yellow light.”

What is Georg Wilson’s creative process?

Wilson works on a few paintings at once. She makes observational drawings, studies books and botanical manuscripts and collects postcards. The feelings and imagery in her work may also be inspired by walking outside, reading or her dreams.

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