Ocula MagazineContentsView All
Featured ContentView All
Aesthetic Radicalism in ‘Awakenings’ at Singapore’s National Gallery Ocula Report Aesthetic Radicalism in ‘Awakenings’ at Singapore’s National Gallery 21 Jun 2019 : Sam Gaskin for Ocula

Awakenings: Art in Society in Asia 1960s–1990s, a major retrospective at Singapore's National Gallery (14 June–15 September 2019), opens emphatically in flames. At the exhibition's entrance, viewers encounter a wall-sized image from 1964 titled Burning Canvases Floating on the River. The photograph captures a performance by Lee Seung-taek, in which...

Read More
Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

Read More
'Sites Encountered': A Chorus of Five Artists at M+ Pavilion Ocula Report 'Sites Encountered': A Chorus of Five Artists at M+ Pavilion 21 Jun 2019 : Emily Verla Bovino for Ocula

Without punctuation, She Said Why Me, the title of May Fung's 1989 video presents itself as a statement, rather than a question. It suggests a subject who expects no response, a person prepared to make what she can from being chosen though perplexed by the attention. The video follows a blindfolded woman, then unmasked, through late colonial-era...

Read More

Giulio Paolini

b. 1940, Italy

Browse Artworks

Caduta libera (suicida felice) by Giulio Paolini contemporary artwork
Giulio PaoliniCaduta libera (suicida felice), 2018–2019 Pencil and collage on paper on Plexiglas case
220 x 530 cm
Marian Goodman Gallery
Retroscena (Una rosa amarilla) by Giulio Paolini contemporary artwork
Giulio PaoliniRetroscena (Una rosa amarilla), 2018–2019 Pencil and collage on paper on Plexiglas case
220 x 330 cm
Marian Goodman Gallery
Senza (più) titolo by Giulio Paolini contemporary artwork
Giulio PaoliniSenza (più) titolo, 2009 Primed canvas, Plexiglas case, sheets of white paper, black pencil
100 x 130 x 25 cm
Marian Goodman Gallery
Carte Noire by Giulio Paolini contemporary artwork
Giulio PaoliniCarte Noire, 1999–2000 Lithograph, graphite and collage
59 x 82 11/16 inches
Krakow Witkin Gallery
L'ospite (The Guest) by Giulio Paolini contemporary artwork
Giulio PaoliniL'ospite (The Guest), 1999–2013 Colour photograph mounted on canvas, primed canvases, easel, chairs, stretchers, print holder, photographic reproduction and other pieces of paper
Marian Goodman Gallery
Studio per “da lontano” by Giulio Paolini contemporary artwork
Giulio PaoliniStudio per “da lontano”, 2015 Collage on paper, two elements
Waddington Custot
Studio per “da lontano" by Giulio Paolini contemporary artwork
Giulio PaoliniStudio per “da lontano", 2015 Collage on paper, two elements
Waddington Custot
No results found.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

iCal GoogleYahooOutlook