Korean artist Grim Park transforms traditions of Korean Buddhist painting into daring statements on identity, queerness, and society.
Born in Seoul in 1987, Grim Park studied taenghwa (Buddhist hanging painting) in the traditional apprentice system for three years before enrolling at Dongguk University in 2012. There, the artist continued his studies of taenghwa and traditional Korean painting such as damchae, which involves layering pigments upon pigments on delicate silk. Park’s experience with the conservatism of the genre sharpened his resolve to address personal and social narratives through his art, most notably those arising from his identity as a gay man in South Korea.
Grim Park’s artworks combine elements of traditional Buddhist painting with fresh narratives encompassing contemporary art, queerness, and self-invention. His practice interrogates dichotomies between tradition and transformation, notably fusing luminous techniques from Goryeo- and Joseon-period paintings with candid explorations of identity.
Park’s early ‘Hwarangdo’ series (2015–2018) draws from the Silla-era elite known for youth and beauty, depicting modern queer men as Buddhist deities and guardians. Works like I SLAY (2016) and Dirty? Beauty!? (2018) present sensual, empowered male figures, subtly challenging societal constraints. In a radical gesture, the series was first exhibited in 2018 at Beobryeonsa, a Buddhist temple in Seoul.
The tiger, a central figure in Park’s work, symbolises reincarnation and personal transformation. In the ‘Shimhodo’ series (2018–ongoing), the tiger emerges as Park’s alter ego, navigating themes of self-acceptance in the face of societal and personal pressures—a motif continued in series such as ‘Zero-Cogitation-Samadhi Continuum’, ‘The Tiger of Perfect Wisdom’, and ‘X-Tail/Tale’ (all 2022).
From 2022, Park began painting beauty tools—lipstick, cushions, nail polish—as if they were sacred relics, reimagining everyday items as symbols of personal and spiritual change. Each object is rendered with reverence for both its contemporary context and its transformative power.
Grim Park has been the subject of both solo and group exhibitions at leading institutions.
Grim Park’s website can be found here, and Grim Park’s Instagram can be found here.
Grim Park’s works have been exhibited in Seoul’s institutions such as the Bulil Museum, Doosan Art Center, Ilmin Museum of Art, and SONGEUN. Park’s works are also regularly exhibited at their representing gallery, THEO.
The tiger serves as Grim Park’s artistic persona, symbolising his journey of self-transformation and spiritual awakening. This motif is central to his series such as ‘Shimhodo’ (2018–ongoing), representing the process of inward and outward change.
Grim Park applies Buddhist silk-painting techniques—with meticulous use of pigments and elegant linework—to explore queer identity, self-acceptance, and social critique, merging heritage with the urgent issues of the present day.
The name ‘Grim’ is pronounced as ‘Guh-reem’ (ɡɯːrim), reflecting the Korean word for ‘picture’ or ‘painting’. ‘Park’ is pronounced as ‘Pahk’ (not ‘Park’ as in the English word for green space).
In 2017, Grim Park legally changed his first name to ‘Grim’ as a symbolic act of becoming a professional contemporary artist, embracing the identity he expresses through his works
Ocula | 2025
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