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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ Jareh Das

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Dhaka Art Summit 2020: Seismic Movements Ocula Report Dhaka Art Summit 2020: Seismic Movements Radha Mahendru, Dhaka

Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.

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Guo Hongwei on Seeing Patterns That Don’t Exist Ocula Insight Guo Hongwei on Seeing Patterns That Don’t Exist Sherry Paik, New York

Guo Hongwei's recent watercolour paintings, showing at Chambers Fine Art in New York from 3 March, trigger pareidolia—the phenomenon of seeing random objects or patterns where they do not exist.

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b. 1958, Japan

Hiroshi Senju Ocula Magazine

Hiroshi Senju: No Need for Walls Ocula Insight
IN PARTNERSHIP WITH GILLMAN BARRACKS
Hiroshi Senju: No Need for Walls Elliat Albrecht, Singapore

Looking at one of Hiroshi Senju 's waterfall paintings feels akin to being alone inside a dark cave with a private cascade. They are not Niagara, Yosemite or Victoria; Hiroshi Senju's intimate waterfalls descend in pairs, trios or many columns of water, conveying a gentle rush. Mist emanates as water droplets (in reality, splashes of translucent...

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