Keith Haring’s reinvigorated the art of painting in the late 20th century. His energy-filled artworks focused on the primacy of the line and took inspiration from pop culture and graffiti to produce pieces that were as political and playful as they were accessible.
Keith Haring was born in 1958 and raised in Kutztown, Pennsylvania. He loved drawing from an early age, copying Dr Seuss and Walt Disney figures, and also learning art skills from his father. After high school, he studied commercial art at the Ivy School of Professional Art in Pittsburgh, but his heart wasn’t in it and he quit after two terms. However, he simultaneously worked on his own practice and had a solo exhibition at the Pittsburgh Arts and Crafts Centre in 1978. At this point, he moved to New York City and enrolled at the School of Visual Arts, getting involved in the city’s alternative art and performance community and befriending Jean-Michel Basquiat.
Keith Haring’s practice was part Pop Art, part neo-expressionism, creating energy through his use of line. Although Haring studied several disciplines at SVA, it was his drawing that brought him to New York City’s attention. In 1980, Haring noticed that unused advertising hoardings in the NYC subway system were covered with matte black paper. He began to create rapid, energetic drawings using white chalk on the black paper—between 1980 and 1985 he made hundreds of drawings on the subway, sometimes as many as 40 in a single day. But it was a partnership with the Tony Shafrazi Gallery in 1982 that drew Haring’s work to a wider audience.
Keith Haring opened the Pop Shop on Lafayette Street in SoHo in April 1986—it was a retail shop selling merchandise bearing his images because he wanted to facilitate greater access to his artwork. Haring painted the store’s interior with a black-on-white mural and the shop sold T-shirts, magnets, toys and posters. He opened a second Pop Shop in Tokyo in 1987. The New York City store closed in 2005 but in 2009, Tate Modern reconstructed parts of the retail space for the Pop Life exhibition.
Keith Haring and Andy Warhol met in 1982 at the Tony Shafrazi Gallery and Warhol acted as a mentor to Haring. Warhol encouraged Haring to open the Pop Shop, and Haring created the Andy Mouse series, in which Warhol was depicted as Mickey Mouse, at a similar time.
Keith Haring’s barking dog, developed during his subway drawings, is a black-outlined canine motif, but the simplicity of the image belies its versatility. It can be seen as a way of shouting back at political power, and the standing dog prints are filled with a chaos of humans, televisions and animals, suggesting a glimpse into hell.
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