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Hito Steyerl: How To Build a Sustainable Art World Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World

'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Kim Whanki

(1913 - 1974), South Korea

A prominent figure in the first generation of Korean Abstract artists, Kim Whanki's works combine traditional Korean concepts and ideals with abstraction. Born 1913, in the South Jeolla province of South Korea, Kim Whanki moved to Japan at the age of 19, and enrolled in the Fine Arts programme at Nihon University, Tokyo. During this time, he joined the Avant-garde Institute in Tokyo, where he studied under Tsuguharu Fujita and Seiji Togo. Soon after his first solo exhibition which was held in 1937 at Amagi Gallery, Tokyo, Whanki returned to Korea and founded the Sinsasilpa Group [Neo-Realist movement] with Artist Youngkuk Yoo and Gyusang Lee.

During the mid 1950s, Whanki based himself in Paris, where he continued to enjoy solo exhibitions at M. Benegite Gallery, and the Institute Gallery among others. In 1963, he represented South Korea in the 7th Sao Paulo Biennale and received the Honorary Award in the category of painting. Throughout his career, Whanki served as professor at the Department of Art, Seoul National University, Seoul and as Dean and professor at Hongik University, Seoul. In 1964, he received a fellowship from the Rockefeller Foundation in New York, and showed a body of new work at Asia House Gallery. Kim Whanki passed away in 1974 at the age of 61, in New York. Today, Whanki is celebrated internationally as a pioneering figure among Korean Abstract painters, and in 1992, the Whanki Museum was founded in Seoul to commemorate the artist's life and achievements. 

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Recent Exhibitions

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In Related Press

Dansaekhwa and Korean Abstraction at Boghossian Foundation in Brussels Related Press Dansaekhwa and Korean Abstraction at Boghossian Foundation in Brussels Blouin Artinfo : 21 February 2016

Opening at the Boghossian Foundation’s Villa Empain in Brussels this weekend is When Process Becomes Form: Dansaekhwa and Korean Abstraction, the first exhaustive exhibition of the Korean Dansaekhwa movement in Belgium, featuring some fifty works by seven of its leading proponents: Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, Kim Whanki,...

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'When Process Becomes Form: Dansaekhwa and Korean Abstraction' Related Press 'When Process Becomes Form: Dansaekhwa and Korean Abstraction' Courtesy Tina Kim Gallery : 10 February 2016

When Process Becomes Form is the first comprehensive presentation in Belgium of a number of seminal works by a generation of Korean artists whose negotiation of abstraction has become known as Dansaekhwa.The exhibition consists of some 50 paintings and works of paper drawn from the 1970s and the 1980s, along with a substantial array of archival...

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