MINOUK LIM

b. 1968, South Korea

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Works at P21

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Aprils Call by Minouk Lim contemporary artwork sculpture

Minouk Lim April's Call, 2026 Wooden cane, lotus pod, cuttlefish bone, peacock feather, glass, ceramic, magnet, urethane resin, calopanax thorn, spray paint, resin droplet on fishing line
104 x 37 x 28 cm
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Mind Weather by Minouk Lim contemporary artwork sculpture

Minouk Lim Mind & Weather, 2026 Wooden cane, lotus pod, feather, glass, ceramic, magnet, urethane resin, spray paint, stainless screw cover, resin droplet on fishing line, volcanic beads
130 x 60 x 26 cm
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Walking Spring by Minouk Lim contemporary artwork sculpture

Minouk Lim Walking Spring, 2026 Wooden cane, cuttlefish bone, peacock feather, LED filament bulb, electric cable, ceramic, epoxy resin casting, lacquered hemp fabric, resin droplet on fishing line
182 x 50 x 25 cm
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Recently Exhibited

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Contemporary art exhibition Group Exhibition Balance in Motion at P21 Seoul South Korea

Group Exhibition Balance in Motion P21 14 May–4 July 2026
Seoul

Works Elsewhere

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Confluence V by Minouk Lim contemporary artwork painting

Minouk Lim Confluence V, 2023 Acrylic spray paint, pastel on hanji
93 x 63.5 cm
97 x 65 x 3.5 cm (incl frame) BB&M

Ici Narra by Minouk Lim contemporary artwork painting sculpture textile

Minouk Lim Ici, Narra, 2024 Printed fabric, acrylic paint on wooden panel
162 x 130.5 x 3 cm
164.2 x 132.4 x 4.5 cm (incl frame) BB&M

Le Revenant by Minouk Lim contemporary artwork painting sculpture

Minouk Lim Le Revenant, 2024 Terracotta powder, cuttlefish bones, acrylic paint, urethane resin on wooden panel
65.5 x 53.3 x 3 cm
67.5 x 55.5 x 4.5 cm (incl frame) BB&M

Swollen Time by Minouk Lim contemporary artwork painting sculpture

Minouk Lim Swollen Time, 2024 Terracotta powder, cuttlefish bones, acrylic paint, urethane resin on wooden panel
91 x 72.5 x 3 cm
93.5 x 75 x 4.5 cm (incl frame) BB&M

Almost Too Calm 4 by Minouk Lim contemporary artwork sculpture

Minouk Lim Almost Too Calm 4, 2024 Cuttlefish bones, barnacle shell, seaweed, found objects, urethane resin in wooden box
91.7 x 66.6 x 6.5 cm
94.3 x 69 x 9 cm (incl frame) BB&M

Almost Too Calm 1 by Minouk Lim contemporary artwork painting

Minouk Lim Almost Too Calm 1, 2024 Cuttlefish bones, barnacle shell, found objects, urethane resin in wooden box
66.6 x 91.7 x 6.5 cm
69 x 94.3 x 9 cm (incl frame) BB&M

Le dernier bonheur du jour by Minouk Lim contemporary artwork painting sculpture textile

Minouk Lim Le dernier bonheur du jour, 2024 Printed fabric, acrylic paint on wooden panel
116.8 x 91.1 x 3 cm
119 x 92.5 x 4.5 cm (incl frame) BB&M

On the Other Hand by Minouk Lim contemporary artwork painting sculpture textile

Minouk Lim On the Other Hand, 2024 Printed fabric, acrylic paint on wooden panel
116.8 x 91.1 x 3 cm
119 x 92.5 x 4.5 cm (incl frame) BB&M

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Represented By

Tina Kim Gallery contemporary art gallery in New York United States

Tina Kim Gallery New York Follow +

P21 contemporary art gallery in Seoul South Korea

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Minouk Lim in Ocula Magazine

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Minouk Lim Fossil of High Noon 19 May1 July 2022

Spotlight Asia Society Triennial Part Two is a Mixed Success Vivian Chui New York City’s Asia Society Museum ushered in the spring season by unveiling the second and final chapter of its inaugural triennial.

Dispatches From Korea In the Studio with Minouk Lim

Spotlight Asia Society's First Triennial Dreams of Unity Vivian Chui With works by over 40 artists including Kimsooja and Shazia Sikander, Vivian Chui reviews the first Asia Society Triennial in New York.

Spotlight Lyon Biennale 2019: The Art of Dispersal Tessa Moldan The 15th Lyon Biennale draws on lines from a Raymond Carver poem about places where water comes together.

Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Sherry Paik Curator Sunjung Kim discusses the Real DMZ Project, an exhibition series focused on the demilitarised zone between North and South Korea, ahead of the project’s show at the Korean Cultural Centre in London.

Conversation Minouk Lim Jessica Morgan We say that time heals all wounds. But I feel ashamed and connected at the same time; I see only blurred boundaries and disappeared wounds embodying the surrounding landscape.

Spotlight Gwangju Biennale: Burning Down The House Jeesun Park Gwangju is only the sixth largest city in Korea but its history has become well‑known to art audiences around the world through its provocative biennale, now a fixed event in the international art calendar. The Gwangju Biennale began twenty years ago specifically to commemorate the historic fight for democracy that took place in the city...

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