Egg shapes, smiley faces, ghosts, teardrops and bolts of lightning frequently appear in the work of multidisciplinary Australian artist Nell. Her work explores life’s binaries—light and dark, happiness and sadness—through a combination of Buddhist principles, rock ‘n’ roll and playfulness.
Nell was born in 1975 in Maitland in rural New South Wales—she grew up in the same house until she left for art school during the 1990s. “I craved cultural stimulation and there wasn’t much to be found,” she has said. During her childhood, Nell drew, painted, wrote poetry and played guitar. Listening to music on the radio inspired her to make a creative life for herself. She trained in painting at Sydney College of the Arts (with Lindy Lee) and gained her BA in 1995. She then studied performance and installation at UCLA, getting a BA in 1996. Periods of study then followed at the École Nationale Supérieure des Beaux-Arts in Paris and back at Sydney College of the Arts, where she received her Master’s in 2006.
“I’m really passionate about communicating,” Nell said in 2025, “and I do it through visual art. That’s my thing.” She uses mediums including media painting, sculpture, bronze, textiles, earthenware, tapestry, mosaic, steel and glass (although nothing screen-based). Her practice considers binaries, such as when does day become night or how noise and silence co-exist. Her works are dramatic yet also domestic, using everything from ironing boards to sequins.
Nell’s love of music may have begun as a means of escape from her culturally unfulfilled childhood, but now music soundtracks her creative process. She has said that when she looks back at artworks she made years previously, she can hear the music she was listening to at the time she made it.
Speaking in 2021, Nell said: “When I make a face on a work, it instantly has a spirit and a character. And when displayed collectively, these characters are very much like an extended family. My experience of making these kinds of works is joyous and full of childlike wonder.” She puts smiley faces in unexpected places, such as a gravestone or a poo, saying that it means viewers can no longer read that object as sad or negative.
Yes, Nell loves the Aussie rock band AC/DC—she [has said][FvF]: “I love the music, then I love the font; I love the fans, I love the merchandise, the paraphernalia—the entire phenomenon that is AC/DC.” In a project for Mona in 2011 and 2012, she restaged AC/DC’s 1976 video for It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll).
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