PAOLO ICARO

In the 1960s and 1970s Icaro took part in major events of the international art avant-garde, like the first exhibitions of Arte Povera, and he was invited by Harald Szeemann to be part of the legendary exhibition _When Attitudes Become Form _held in 1969 at Kunsthalle Bern. In 1971 he returned to the United States, in Connecticut, where he resided throughout the decade. He created cycles of works like the _Luoghi del punto _(Places of the point) and _Misure intime _(Intimate measurements) – paths of measurement of the body interpreted through the use of different sculptural materials. He then began to use plaster, a material that acts on time, preserving the imprint of the rapid gestures that shaped it. At the start of the 1980s he moved back to Italy for good. In 1982 he had a solo show at PAC Padiglione d’Arte Contemporanea in Milan. In 1987he was invited to have a solo show at the Palazzina dei Giardini in Modena, presented by Dore Ashton and Pier Giovanni Castagnoli. During the 1970s and 1980s he had many solo shows in important European and American galleries, including: Verna, Zurich (1972, 1974, 1978, 1985); Françoise Lambert, Milan (1976); Marilena Bonomo, Bari (1976); Massimo Minini, Brescia (1977, 1982, 1989); Paul Maenz, Cologne (1978), Hal Bromm, New York (1978, 1979); Jack Tilton, New York (1985, 1986, 1989). In 1990 a monograph edited by Mario Bertoni was published (Essegi, Ravenna). In 1995 Danilo Eccher curated a retrospective at the Galleria Civica d’Arte Contemporanea in Trento.

Text courtesy P420.