Ocula MagazineContentsView All
Featured ContentView All
Ocula ReportViewpoint: Arthur Jafa at Julia Stoschek Collection, Berlin17 May 2018 : Federica Bueti for Ocula{{document.location.href}}
Arthur Jafa is a brilliant filmmaker, cinematographer and artist, whose practice is concerned with identifying and developing a specifically Black visual aesthetic. His work tackles the complexity of African-American cultural identity, as defined by an existential paradox that places the Black subject 'in essential intimacy with death', as Saidiya...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : 'Read More')}}
Ocula ConversationAnya GallaccioArtist, United Kingdom{{document.location.href}}
Anya Gallaccio's practice is characterised by the twin notions of control and transition and, in particular, how each can be implemented and represented. Her approach often involves setting in motion a process and then letting go. Her use of materials that innately decay, melt, rot and transform, speak to the mutability of material and place. The...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : 'Read More')}}
Ocula ReportIn Focus: Seeking Sanyu11 May 2018 : Stephanie Bailey for Ocula{{document.location.href}}
Sanyu's Still Life of Flowering and Fruit Plant with a Green Ground, an oil on masonite panel dated between 1950 and 1965, presents a plant brimming with aspirations of wealth, or in the artist's case, memories of it. Painted against a rich olive backdrop, Chinese symbols of good fortune, from peaches to pomegranates, grow from branches amid green...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : 'Read More')}}

In his frenzied video, K-CoreaINC.K (Section A), Ryan Trecartin (b.1981) creates a satire of global corporate culture.  His characters, dubbed ‘Koreas’, are exaggerated stereotypes of the everyday office worker. They don blond wigs, office-casual wear and powder their faces, which Trecartin calls ‘workface’. Devoid of linear narrative, the video depicts characters in bizarre but strangely recognizable scenarios acting in ways that subvert our expectations of the business world.  This K-CoreaINC.K (Section A) is just one part of seven videos that together comprise Trecartin’s epic Any Ever series.  At the very young age of thirty Trecartin already has mounted solo exhibitions in such prominent institutions such as MoMA P.S.1., New York, NY; Musée d’Art Moderne de la Ville de Paris, France; Hammer Museum, Los Angeles, CA and Kunsthalle Wien, Vienna, Austria, and distinguished himself as a prominent artist of the younger generation.

Ocula Magazine

View All {{articles.totalResults | resultCount}}

Related Articles

View All {{articles.totalResults | resultCount}}

Be the first to know when new artworks and exhibitions by Ryan Trecartin are added to Ocula.

 

{{currentArtwork.ArtistName}}{{currentArtwork.Artist.FullName}}

{{currentArtwork.Title}}

{{currentArtwork.Medium}}{{currentArtwork.Medium && currentArtwork.Medium.substring(currentArtwork.Medium.length -1) != ',' && currentArtwork.Edition ? ',' : ''}} {{currentArtwork.Edition}}


{{currentArtwork.Signature}}


{{currentArtwork.Origin}}

Follow favourite artists and galleries, be notified of new artworks and exhibitions, use our price enquiry service and receive the Ocula newsletter. It's free.

Sign Up
 Sign Up with Facebook
By signing up you accept our Terms & Conditions, Privacy Policy and to
receiving the Ocula e-newsletter. Registration with Ocula is free.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

OutlookiCal GoogleYahoo