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Taloi Havini: Reclaiming Space and History Latest Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Armory Week Lowdown: Art Shows to See Ocula Report Armory Week Lowdown: Art Shows to See By Casey Carsel, New York

After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.

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Ella Kruglyanskaya Steals from Art History, Takes Back Gaze Ocula Insight Ella Kruglyanskaya Steals from Art History, Takes Back Gaze By Tessa Moldan, London

For her second solo exhibition at Thomas Dane Gallery in London, Ella Kruglyanskaya's compositions signal the many possibilities of paint.

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b. 1941, USA

Ryan Weideman Biography

In 1980, Ryan Weideman cruised into New York City to become a street photographer. Having graduated with an MFA from the California College of Arts & Crafts, Weideman already had a style greatly influenced by the other photographers of the period including Lee Friedlander and Mark Cohen. Yet, after a month in New York City, Weideman's focus turned to more immediate goals - earning money to pay his rent. Soon after renting a tenement on West 43rd Street (an apartment in which he still lives), a chance encounter with a neighbor who drove a taxi led Weideman to his newfound profession.

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Ryan Weideman's work is in the collections of many prestigious institutions including the Brooklyn Museum, the Oakland Museum and the Art Institute of Chicago. Weideman's awards include Guggenheim Fellowship Grant (1992-1993), a New York Foundation for the Arts Fellowship (1986-1987), and a NEA Fellowship Grant.

Ryan Weideman Featured Artworks

In My Taxi by Ryan Weideman contemporary artwork
Ryan WeidemanIn My Taxi, 1982Gelatin silver print
16 x 20 inches
Bruce Silverstein Enquire about this work

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