
This tool of Sāmoan village politics brings perspective and harmony between the physical self, spirit, and mind. According to Researcher Tui.A.T.T. Tupuola Tufuga Efi’s work on Sāmoan Cosmology and Mythology, Moe Manatunatu rituals were often performed in nature, in solitude, as prayers and meditations (Anapogi).
when we return emerges from this exploration, a process of retreating to the forest where Ulutupu’s fanau workshop spirituality through their own perspectives. Children hold direct access to spiritual realms, and this project centres their curiosity and engagement with our environment.
Each evolving chapter hovers between daydreaming and memory, unsure of what is recollection and what is invention. Ulutupu’s practice has long centred on daydreaming, conjuring from imagination—yet his past works have been distorted memories. The work moves between expression and documentation, treating moe manatunatu as both method and subject, producing a video work that is poetic and violent.
when we return is not about arriving or finding answers. It is about returning to a self in negotiation, loading, unable to be fixed.

Christopher Ulutupu is a contemporary artist of Samoan, Niuean and German descent. Born in 1987, he lives in Te Whanganui-a-Tara, Wellington.

Jhana Millers Art Gallery was established in 2018 in Te Whanganui-a-Tara, Wellington to showcase compelling and innovative contemporary art and promote emerging local talents. Housed in the listed Mibar Building, fitted with large windows and a concrete ceiling, the gallery provides space for solo and curated group exhibitions.

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