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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Frieze Week Lowdown: London Shows to See Ocula Report Frieze Week Lowdown: London Shows to See 20 Sep 2019 : Tessa Moldan for Ocula

London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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Sara VanDerBeek

b. 1976, USA

Sara VanDerBeek was born in Baltimore in 1976 and lives and works in New York. She has had one-person exhibitions at the Museum Boijmans van Beuningen, Rotterdam; Baltimore Museum of Art; Hammer Museum, Los Angeles; Whitney Museum of American Art, New York; Fondazione Memmo, Rome; and Museum of Contemporary Art Cleveland. Her work has been included in group exhibitions at the Institute of Contemporary Art, Boston; Kunsthalle Berlin; Solomon R. Guggenheim Museum, New York; Walker Art Center, Minneapolis; Morgan Library and Museum, New York; Museum of Contemporary Art, Los Angeles; and the Museum of Modern Art, New York.

Featured Artworks

View All (10)
Women & Museums VI by Sara VanDerBeek contemporary artwork
Sara VanDerBeekWomen & Museums VI, 2019 Dye sublimation print
243.8 x 121.9 cm
Metro Pictures
Women & Museums V by Sara VanDerBeek contemporary artwork
Sara VanDerBeekWomen & Museums V, 2019 Dye sublimation print
243.8 x 121.9 cm
Metro Pictures
Women & Museums IV by Sara VanDerBeek contemporary artwork
Sara VanDerBeekWomen & Museums IV, 2019 Dye sublimation print
243.8 x 121.9 cm
Metro Pictures
Women & Museums III by Sara VanDerBeek contemporary artwork
Sara VanDerBeekWomen & Museums III, 2019 Dye sublimation print
243.8 x 121.9 cm
Metro Pictures
Women & Museums II by Sara VanDerBeek contemporary artwork
Sara VanDerBeekWomen & Museums II, 2019 Dye sublimation print
243.8 x 121.9 cm
Metro Pictures
Women & Museums I by Sara VanDerBeek contemporary artwork
Sara VanDerBeekWomen & Museums I, 2019 Dye sublimation print
243.8 x 121.9 cm
Metro Pictures
Roman Woman VIII by Sara VanDerBeek contemporary artwork
Sara VanDerBeekRoman Woman VIII, 2018 Digital c-print
203.2 x 121.9 cm
Metro Pictures
Blue Nude III by Sara VanDerBeek contemporary artwork
Sara VanDerBeekBlue Nude III, 2018 Digital c-print
203.2 x 121.9 cm
Metro Pictures

Current & Recent Exhibitions

Contemporary art exhibition, Sara VanDerBeek, Women & Museums at Metro Pictures, New York
Open Now
5 September–5 October 2019 Sara VanDerBeek Women & Museums Metro Pictures, New York
Contemporary art exhibition, Sara VanDerBeek, Pieced Quilts, Wrapped Forms at Metro Pictures, New York
Closed
15 September–29 October 2016 Sara VanDerBeek Pieced Quilts, Wrapped Forms Metro Pictures, New York

Represented By

In Related Press

Roots of Conceptual Art, Caught by a Camera’s Eye Related Press Roots of Conceptual Art, Caught by a Camera’s Eye The New York Times : 3 December 2015

Learning, like looking, takes time. It took until well into the 20th century for photography to be fully accepted as art, longer for color work to make the cut. (People thought color belonged in advertising.) And it's only fairly recently, in the digital present, that hard lines separating photography from painting, sculpture and performance have...

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