Simone Slee makes work that has its origins in sculpture, producing installations, photographs, videos and objects that have a performative outcome or potential. Failure, humour and vulnerability continue to emerge as key concerns in her practice; her sculptures fail and fall over, others exist for just a moment as sculptural-thought-bubbles in space. Indeed, space—private, public and institutional—provides the context in which her sculptural gestures are performed. Through this practice she has invented a neologism ‘abfunction ‘to describe the unexpected or surprising functions and effects of objects or actions in art (in contrast to concepts of multifunction or dysfunction).

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