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ART X Lagos: Nigeria’s Art Renaissance Ocula Report ART X Lagos: Nigeria’s Art Renaissance 17 November 201817 Nov 2018 : Jareh Das for Ocula

Nigeria's art scene has flourished over the last decade, leading to a renewed interest in cultivating and supporting modern and contemporary art in the country. Ranked Africa's largest economy in 2017, making up 0.8 percent of the world's GDP, a surge in wealth amongst some individuals has led to a developing collector base (not to mention rising...

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Cao Fei Ocula Conversation Cao Fei Artist

Cao Fei's first large-scale institutional exhibition in Asia, A hollow in a world too full (8 September 2018–4 January 2019), is taking place at Tai Kwun Contemporary in Hong Kong, the city's new non-profit art centre housed in a former colonial police and prison complex in Central. Organised in collaboration with Ullens Center for Contemporary Art...

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Shanghai's West Bund and Art021 fairs overlap in 2018 Ocula Report Shanghai's West Bund and Art021 fairs overlap in 2018 17 November 201817 Nov 2018 : Diana d’Arenberg for Ocula

The last time I visited West Bund Art & Design was four years ago, when the fair was in its first year of operation: a small, boutique offering held in a cavernous hangar that seemed too big for it. Much has changed since then. Mirroring the rapid development of the city itself, West Bund has grown from 25 galleries in 2014 to a fair that...

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Tehching Hsieh was born in 1950 in Nan-Chou, Taiwan. His father, Ching Hsieh, was an atheist and his mother, Su-Choung Hong, a devoted Christian. Hsieh dropped out of high school in 1967 and took up painting. After finishing his army service (1970-1973), Hsieh had his first solo show at the gallery of the American News Bureau in Taiwan. Shortly after this show, he stopped painting. In 1973, Hsieh made a performance action, Jump Piece, in which he broke both of his ankles. He was trained as a sailor, which he then used as a means to enter the United States. In July of 1974, Hsieh arrived at the port of a small town by the Delaware River near Philadelphia. He was an illegal immigrant for fourteen years until he was granted amnesty in the US in 1988.

Beginning in the late 1970s, Hsieh made five One Year Performances and a Thirteen-year Plan, inside and outside his studio in New York City. Using long durations of time as context for the work, making art and life simultaneous, the first four One Year Performances made Hsieh a regular name in the art scene in New York; the last two pieces, in which he intentionally retreated from the art world, set a tone of sustained invisibility. 

Featured Artworks

Tehching Hsieh by Tehching Hsieh contemporary artwork Tehching HsiehTehching Hsieh, 1978–1999 Posters and statements mounted on boards in 6 parts
Sean Kelly Request price & availability
Jump Piece by Tehching Hsieh contemporary artwork Tehching HsiehJump Piece, 1973/2017 Framed archival pigment print mounted to 4 ply museum board
162.9 x 44.8 cm
Sean Kelly Request price & availability

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Profile: Tehching Hsieh at the 57th Venice Biennale Ocula Insight Profile: Tehching Hsieh at the 57th Venice Biennale By Elliat Albrecht

Taiwan's contribution to the 57th Venice Biennale is an exhaustive record of the passing of time—an ostensibly banal proceeding that has here been reframed in a monumental way. Staged in Palazzo delle Prigioni, Doing Time (13 May–26 November 2017) is a long overdue presentation of Taiwanese artist Tehching Hsieh's oeuvre of time-based...

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Related Press

11 national pavilions and exhibition to see at the 57th Venice Biennale in 2017 Related Press 11 national pavilions and exhibition to see at the 57th Venice Biennale in 2017 Art Radar Journal : 23 May 2017

Rock, Paper, Scissors: Positions in Play — United Arab EmiratesCurated by Hammad Nasar, commissioned by the Salama bint Hamdan Al Nahyan Foundation and supported by the UAE Ministry of Culture and Knowledge Development, the exhibition features existing, new commissions and re-fabrications of 'lost' works by five UAE-based artists. The show...

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Slow and Steady: Tehching Hsieh in Venice Related Press Slow and Steady: Tehching Hsieh in Venice ARTnews : 11 May 2017

From September 26, 1981 to September 26, 1982, Tehching Hsieh lived outside in New York City, never seeking shelter in a building. He was 31 when he began the performance work, which he titled One Year Performance 1981–1982 (Outdoor Piece), and 32 when he finished it. Now he is 66 and representing Taiwan at the Biennale, where records of that work...

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57th Venice Biennale: Get to Know the Artists of the Must-See National Pavilions Related Press 57th Venice Biennale: Get to Know the Artists of the Must-See National Pavilions MutualArt : 10 May 2017

The most important global art event of the year is upon us, as thousands descend upon the slowly submerging islands in the Venetian Lagoon to view the microcosm of the art world that is the 57th Venice Biennale. In keeping with the theme of the exhibition by this year's curator, Christine Macel, Viva Arte Viva, in which she 'orientate[s] the...

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Tehching Hsieh to represent Taiwan at the 2017 Venice Biennale Related Press Tehching Hsieh to represent Taiwan at the 2017 Venice Biennale Art Review : 1 August 2016

The Taipei Fine Art Museum (TFAM) has announced that performance artist Tehching Hsieh will represent Taiwan at the 57th Venice Biennale. For the pavilion, curated by British curator Adrian Heathfield, Hsieh will develop a new iteration of his One Year Performances (1978–99), a body of extremely physical and psychological challenges which...

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