Recognised as a pioneer of conceptual painting in China, Wang Guangle interrogates the luminosity of light and layers of time in his contemplative oil paintings.Read More
Born in 1976 in Fujian, Chinese artist Wang Guangle studied painting at Beijing's Central Academy of Fine Arts (CAFA). 3pm to 5pm, his graduating exhibition in 2000, featured five paintings in which beams of sunlight fall across the artist's studio floor. Because of their apparent simplicity in composition, Wang's works were initially dismissed as being too abstract. However, he was awarded the Director's Prize upon graduation.
In the early 2000s, Wang's paintings started to shift from depictions of sunlight to a more focused consideration of the terrazzo floor pattern popular in China, which he first incorporated into his '3pm to 5pm' paintings. The 'Terrazzo' series, begun in 2002, marks his turn to conceptual painting, emphasising both time and process by meticulously portraying the tiny stones that comprise terrazzo.
Wang also contributed to the emergence of conceptual painting in China by co-founding the artist group N12 with fellow graduates of CAFA, among them Ma Yanhong, Qiu Xiaofei, and Shen Liang, in 2003. Rejecting the Social Realist aesthetic encouraged by the Academy, the young Chinese artists aspired to diversify approaches to painting.
For his ongoing 'Coffin Paint' series, initiated in 2004, Wang Guangle horizontally paints layers of differently coloured paint to suggest the passage of time. The paintings are inspired by a tradition in his home province of Fujian, where elderly people repaint their coffins every year—a ritual that has come to be associated with longevity. Wang's canvases range from distinctive layers of saturated colour (9 Tins of Acrylic Paints, 2004) to pastels (Coffin Paint 111027) to monochromatic shades of grey (Coffin Paint 110706) (both 2011).
Building on the sunlight of his earlier paintings, Wang Guangle has also depicted light in his often vertically oriented, monochromatic paintings. In works such as acrylic on canvas 150527 (2015), yellow starts out the darkest in the centre and slowly fades away, becoming white around the edges. Painted with careful brushstrokes, the paintings appear to radiate light while creating a palpable sense of depth. The works presented in Duo Color, Wang's solo exhibition at Pace Gallery, New York in 2019, employ two colours that gradually merge into another in the centre of each painting.
Wang Guangle has exhibited internationally, holding solo exhibitions that include Waves, Beijing Commune (2021); Duo Color, Pace Gallery, New York (2019); Yellow, Pace London (2016); Six Colours, Beijing Commune (2015); Wang Gaungle in Taiwan, Soka Art Center, Taipei (2011); and Wang Guangle: Coffin Paint, Aye Gallery, Beijing (2007), among others.
Group exhibitions include Conversations: Contemporary Asian Art, Hermitage Museum & Gardens, Norfolk, Virginia (2019); Intern-Youth, China Academy of Art, Hangzhou (2015); Aura of Poetry, Museum of Contemporary Art, Shanghai (2014); Focus Beijing: De Heus-Zomer Collection, Museum Boijmans Van Beuningen, Rotterdam (2014); Re-View, Long Museum West Bund, Shanghai (2014); ON | OFF: China's Young Artists' Concept & Practice, Ullens Center for Contemporary Art, Beijing (2014); 28 Chinese, Rubell Family Collection/Contemporary Arts Foundation, Miami (2013); and Face, Minsheng Art Museum, Shanghai (2012).
Wang Guangle has also participated in international exhibitions, among them 2013 California-Pacific Triennial (2013); Busan Biennale (2010); Prague Biennale (2009).
Sherry Paik | Ocula | 2021
Ocula Magazine present a selection of highlights at this year's Gallery Weekend Beijing.
I'm very much a fan of the public institution. I think only the public institution can provide the long-term guarantee that it will continue to exist and it will be 'the' public memory.
Comprising more than eighty works by fifty artists – including Ai Weiwei, Fang Lijun, Geng Jianyi, Huang Yong Ping, Zhang Peili, and Zhang Xiaogang – this is the first-ever chronological exhibition about the emergence of Chinese contemporary art. It shows both the development of Chinese contemporary art and a glimpse of the collection...