Beijing-based artist Zhang Yi creates small- to large-scale sculptural assemblages and paintings that explore the physicality of the material.
Read MoreZhang Yi first studied in Beijing, where she graduated with a BA (2008) from the Central Academy of Fine Arts, then went on to receive her MFAs from New York Studio School (2015) and Slade School of Fine Art in London (2018).
Zhang Yi often takes the material itself as a starting point for an artwork, examining its physical properties that interest her. Often made from found or commonplace objects, Zhang's sculptures and installations are characterised by the repetition and imitation of materials.
With a background in Chinese ink painting and calligraphy, Zhang became interested in sculpture after focused studies on Classical painting. The artist's concerns in physicality is visible in her earlier works, which suggest the human touch or body such as in the bent ink brushes sprouting out of a lump of lead in Ink Brushes (2016). In the wall-mounted sculpture Bite (2016), a vertical set of nails protruding from a lead slat resembles a gaping mouth with teeth, ready to snap.
A diverse range of components make up Zhang's works, often with a single object or material providing the base. Down To The River South (2019) began as a bamboo back basket, traditionally used in the Sichuan region, that the artist modified by adding layers of black and red ropes, small bird cages, and balls of thread in an exploration of the material's changeability. Presented with its back on the floor, the basket now evokes a boat in a reflection of the work's title.
Down To The River South is also the title of Zhang's solo exhibition at Studio Gallery, Shanghai, in 2019, which included the towering cardboard installation Wen Hengshan Hand Planted Wisteria (2019). The work's title references the centuries-old wisteria that Ming-dynasty painter Wen Zhengming (also known as Wen Hengshan) planted, while its structure evokes the flower in its extension of cardboard pieces into the air.
In an interview with Studio Gallery, Zhang explains that she was drawn to cardboard for its malleability and ability to imitate other materials. Painted in shades of brown, the cardboard in Wen Hengshan Hand Planted Wisteria resembles wood, imbuing the work with an impression of stability and weight that cardboard otherwise lacks.
Zhang Yi has shown her works in solo and group exhibitions internationally.
Solo exhibitions include Down To The River South, Studio Gallery, Shanghai (2019); Three Old Four New, John Davis Gallery, New York (2018); Yi Zhang Sculpture, John Davis Gallery, New York (2016).
Group exhibitions include Persistent Objects, Yuan Museum, Beijing (2021); Somatic Attunement, Studio Gallery, Shanghai (2021); MultiPyramid, Lotus Museum, Beijing (2019); The secret of human soul, Freud Museum London (2017); Localized centralization, Jiujiang Museum of Art, Jiangxi (2016).
Sherry Paik | Ocula | 2022
