
Step into reimagined realities, dreamlike fantasies and speculative futures in the Chinese multimedia artist’s largest UK solo exhibition to date.
Cao Fei, a global figure renowned for her pioneering work across video, photography and digital media, transforms the Hayward Gallery with her boundary-pushing, immersive installations.
Unfolding across five thematic chapters, the exhibition traces Cao’s practice from the early 2000s to the present day.
The exhibition brings together many of Cao’s most iconic projects: Whose Utopia (2006), RMB City (2007 – 2011) and Asia One (2018), alongside her latest multi-channel installation The Birth (2026). Together, the works chart the development of an artist at the forefront of contemporary art’s technological revolution.
Her art blends influences from cinema, popular culture, science fiction, gaming, history and technological innovation, reflecting and reimagining our fast-changing society, often with fantastical or surreal elements.
From capturing the collision of cultures and traditions across generations; to projecting the inner dreams of factory workers; from recording rapid urban changes to creating virtual worlds that question our realities, Cao’s immersive worldbuilding is an invitation to rethink our past, present and possible futures.
This presentation is the second iteration of Cao Fei’s major European survey. The first iteration, Testimonies to the Near Future, was developed by and presented at Kunstmuseum Basel in June 2026.
Generous support provided by the Huo Family Foundation. We are also grateful for key support from Maria Sukkar.

Cao Fei uses video, multimedia installations and photography to explore the effects of digital capitalism on the Chinese population, considering how loneliness manifests itself in a tech-driven world, how fantasy plays a key role in subcultures and how human relations are driven by rapid urban development.




Hayward Gallery is a world-renowned contemporary art space in central London, housed within the Southbank Centre and known for its striking Brutalist architecture. Opened in 1968, it was designed under chief architect Norman Engleback with key contributions from Ron Herron, Warren Chalk, and John Attenborough of the Greater London Council’s Architecture Department. Today, it remains a dynamic venue for bold, large‑scale exhibitions of contemporary visual art, both inside the gallery and across the wider Southbank Centre site.
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