
An early photograph by Klara Lidén (b. 1979, SE), Self Portrait with the Keys to the City (2005), has come to define the artist’s two-decade-long practice. The keys are tools for opening the city—bolt cutters, wrenches, a flashlight, a manhole-cover lifter— used to test the rules that govern public infrastructure. Often using her own body, Lidén reveals how these structures script our actions, and how one might navigate, and subtly reclaim, environments shaped by control and exclusion.
Spread across three floors at KW, Kunstwerke brings together central works from the early 2000s to the present and marks the first large-scale survey and the first institutional solo exhibition of Klara Lidén in Berlin, where the artist has lived for over twenty years.
Trained as an architecture student, Lidén’s practice draws on public spaces of the cities in which the artist has lived—Berlin, New York, and Stockholm—using materials sourced from these urban environments. Cardboard, metal, concrete, wood, fences, and street banners become space-defining works; found objects such as garbage cans or components of municipal lighting are brought directly into the exhibition space. Lidén describes these processes as “unbuilding”—a deliberate repurposing and transformation of objects. The artist’s video works continue Lidén’s interest in thinking about how the body inhabits space, both private and public, and how these spaces define and control that movement. Lidén moves through the city by falling, climbing, and dancing in the street, on train carriages, street signs, and drainage pipes and, in doing so, engages with the aesthetics and mechanisms of social order – raising fundamental questions about ownership, access, use, and participation.






Swedish artist Klara Lidén’s installations, public interventions, and impromptu actions documented on camera are defined by a subversive humour that explores the composition of physical, public, and private spaces in the urban environment.


A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services