YAYOI KUSAMA

Yayoi Kusama emerged as a global cultural icon for the twenty-first century by pursuing her uncompromising avant-garde vision. Over the past seven decades, she honed a singular personal aesthetic and core philosophy of life. Kusama’s work captivates millions by offering glimpses of boundless space and reflections on natural cycles of regeneration.

Yayoi Kusama: 1945 to Now narrates the story of this artist’s life and work, foregroundingher longing for interconnection and the profound questions about existence that drive hercreative explorations.

Yayoi Kusama: 1945 to Now is the largest retrospective of the artist in Asia outside Japan. Featuring more than 200 works, including paintings, drawings, sculptures, installations, and archival material, this exhibition surveys Kusama’s career from the earliest drawings she made as a teenager during World War II to her most recent immersive art pieces.

Organised chronologically and thematically, the retrospective guides visitors through Kusama’s career-long creative pouring divided into major themes: Infinity, Accumulation, Radical Connectivity, Biocosmic, Death, and Force of Life.

In addition to tracing the origins of her practice, Yayoi Kusama: 1945 to Now presents three brand-new works to bring audiences together. Death of Nerves (2022) is a colourful large-scale installation commissioned by M+ that provides a mesmerising extension of Kusama’s Infinity Nets motifs into three-dimensional space; Dots Obsession—Aspiring to Heaven’s Love (2022) is an ambitious immersive environment that includes the artist’s signature mirrored spaces and polka dots as well as suspending balloons to provide a kaleidoscopic perceptual experience; and two large sculptures titled Pumpkin (2022) are also available for public viewing in the Main Hall.

About the artist
Yayoi Kusama (b. 1929, Japan) is one of the most important and influential Asian artistsin the history of contemporary art. She is renowned for her prolific and ground-breakingpractice, spanning paintings, sculptures, performances, moving images, and large-scaleinstallations. Trained in traditional Japanese painting, she moved to the United States in1957 and soon established herself in the American and European avant-garde for herunique and radical artistic language. She returned to Japan in 1973 and has relentlesslyreinvented and created art that resonates with the time in which she lives.