Press Release

For the first time since it was made nearly 1,000 years ago, the Bayeux Tapestry has returned to England.

Following a historic agreement with France, the 70-metre-long tapestry, depicting events leading up to the Battle of Hastings and the Norman Conquest of England in 1066, is being loaned to the British Museum from September 2026 to July 2027.

This monumental embroidery tells the dramatic story of a moment that changed England forever. No year in the country’s history is more famous than 1066. It was the last time England was successfully invaded, and it is the year from which the modern monarchy dates itself. And there is no other object that is as instantly recognisable, as studied in schools and as copied by artists as the Bayeux Tapestry.

One of the wonders of the medieval world, the Tapestry offers a vision of life in 11th-century England both before and after the Conquest, from castles, warfare and ships to clothing, food and furniture. Likely commissioned by a Norman patron and made by English embroiderers, using manuscript drawings from Canterbury, the Tapestry is both a precious historical record and a remarkable work of art.

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Installation Views

Exhibition view: The Bayeux Tapestry, The British Museum (9/10/2026–11 July 2027). Courtesy The British Museum.

Also Exhibiting at The British Museum

About the Gallery
The British Museum is one of the largest museums in the world with a collection of more than eight million artifacts. Founded in 1753 by Sir Hans Sloane, the museum showcases works from across the globe, since the beginning of humankind.

The collection features many important historical objects, such as the Elgin Marbles. In addition to holding many temporary exhibitions, the museum has digitized over two million items in its collection, making them internationally accessible.

The British Museum is the most visited museum in the United Kingdom and the third most visited museum in the world, with more than six million visitors each year. The building itself is iconic, defined by Neoclassical architectural revivalism, which itself has become synonymous with museums, culture and heritage.
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