
Roy Lichtenstein’s breakthrough Pop work stunned both the art world and the country when it was first shown in the early 1960s. An appropriation artist long before the term was used by art historians, Lichtenstein took his imagery from comic books and newspapers, reconfiguring and refining his compositions before enlarging and transferring them to canvas. Cool, crisp, and mechanical-looking yet decidedly handmade, his work—executed to mimic the bold black outlines, flat bright colors, and fields of dots associated with commercial printing—upended conventional notions of what an artwork could be. Lichtenstein’s legacy extends far beyond Pop, however. His career-long investigation into image culture has shaped successive generations of artists and changed the way we see and understand images.
Born in 1923, Lichtenstein spent most of his life in New York and Southampton, where he sustained a continually evolving practice until his death in 1997 at the age of seventy-three. Titled after a 1962 work, Roy Lichtenstein: Like New features many of the artist’s most iconic paintings alongside lesser-known works and four re-created murals. The first New York retrospective of his work since 1993, it traces Lichtenstein’s fascination with perception across six decades of painting, drawing, sculpture, film, and prints.
In an era when pictures are endlessly generated, copied, altered, filtered, and reposted across screens, Lichtenstein’s art is strikingly prescient and remarkably relevant. He understood long before the digital age that images are never stable: they move through the world and return transformed. With each iteration, they are made like new.
Roy Lichtenstein: Like New is organized by Meg Onli, Nancy and Fred Poses Curator, and Alex Da Corte, Guest Curator, with Nakai Falcón, Curatorial Assistant, and David Crane, Curatorial Research Associate.
Alongside artists such as Andy Warhol, Jasper Johns, and James Rosenquist, Roy Lichtenstein was a leading figure of the American Pop Art movement, amassing an important legacy through his painted parodies of comic strips and advertising techniques using the Ben-Day dot printing technique.


The Whitney Museum of American Art is a landmark cultural institution located in New York‘s vibrant Meatpacking District, at 99 Gansevoort Street. Designed by renowned architect Renzo Piano, the museum’s striking asymmetrical structure integrates cutting-edge architecture with sweeping skyline views and direct access to the High Line, making it an essential destination for anyone interested in American art and culture.

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