For those visiting during Art Basel in Hong Kong (29–31 March 2019), the smell of fresh paint may still be in the air at the latest heritage conservation project, The Mills, which opened on 16 March to encompass the Centre for Heritage, Arts and Textiles (CHAT), joining the ranks with ex-prison complex Tai Kwun, along with Eaton HK—a retro...
Firenze Lai says that she knows her studio of a few hundred square feet intimately; from the textures of its surfaces to the way the breeze blows into the room. The spaces depicted in her paintings are equally intimate. When curators seem to be at a loss for words to discuss troubled times, fear of containment, and the feeling of being completely...
In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...
KHOJ. (to) search, hunt, explore, discover, discern, seek, inquire, trace, track, quest, research, investigate.
Khoj began as a proposition: a space for artists, run by artists.
From its modest beginnings in 1997 as an annual workshop, Khoj has established itself as a not- for-profit, contemporary arts organisation based in Delhi which provides a financial, physical and intellectual space for artists through its various programs. It has built an international reputation as outstanding alternative arts incubation space. It plays a central role in the development of experimental, interdisciplinary, and critical contemporary art practice in India– constantly challenging the established thinking about art.
Through a variety of programmes including workshops, residencies, exhibitions, talks, and community art projects, Khoj has supported the experimentation of many leading Indian artists well before they went on to receive international acclaim. While catalysing a vibrant art-community in India, Khoj has also actively developed the South Asia Network for the Arts (SANA). Khoj has also hosted over 400 international artists from countries such as Argentina, Brazil, Cuba, Uganda, Kenya, Turkey, Pakistan, Japan, China, Indonesia, Sri Lanka, South Africa, Zimbabwe, Thailand, Korea, UK, Germany, France, Mexico and the US.
With a focus on building such networks, developing alternative pedagogies, and learning through collaboration and exchange, Khoj programmes have created unconventional synapses between art and disciplines such as science, architecture and fashion. Khoj facilitates change by encouraging artists and audiences to engage with vital concerns such as ecology, sustainability and community participation. It is constantly expanding the understanding and development of cutting-edge contemporary art practice in India, thereby creating a legacy for the future.
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