CLAUDIA VALSELLS

Moll de l’os brings together a body of paintings made throughout 2026 that investigate the capacity of color to hold experience. With no predetermined subject matter and no representational intent, the works emerge as records of a process sustained over time — one in which painting has become a space of attention and transformation.

In these mid-scale formats, the pictorial matter concentrates gesture, silence and presence, inviting the viewer into a direct encounter with what is essential. These are emotional registers, sediments of a lived process.

For me, painting is a way of drawing closer to the core — to the marrow of each piece. It is how I test the possibility of continuing to paint, even when it is difficult.

With Moll de l’os, I point to the place where artistic practice confronts its own nucleus — where colour does not explain: it insists.

My hope is that the viewer, too, might connect with their own marrow, and find a personal experience that reaches beyond a purely visual reading.

Claudia Valsells