PABLO SIQUIER

Curated by Esmeralda Gómez Galera, the exhibition brings together a series of new monochromatic works that shift from black to oxide, where the digital precision and the manual gesture coexist within the same process. Lines, planes, and grids, without referring to any specific city, condense the pulse of urban drawing: a visual writing that oscillates between geometric organization and the accident of chance.

The drawings are created using a 3D vector program and then manually transferred to canvas, revealing the dialogue between digital rigor and the imperfection of the human hand. ‘They are hyper-precise and exact drawings, executed with a primitive and faulty tool,’ Siquier notes. The artist begins with an extremely controlled digital process, which culminates in a raw and imperfect materiality, merging technology and craft.

Siquier’s work explores the tension between the desire for order and the impossibility of total vision. His grids function as maps of unreachable territories—cartographies without geography—where the rational impulse of form coexists with its progressive dissolution.

In Resonancias Magnéticas, Siquier revisits ideas present in his first exhibition at Baró Galeria, now reinterpreted through new supports, media, and a renewed monochromatic exploration. The show reaffirms the consistency and depth of a practice that, for decades, has examined the relationship between architecture, geometry, chaos, and structure, transforming drawing into a field of visual reflection on the city and contemporary space.