In 1978 Sternfeld set out with a large format camera to record the American landscape in ways that it had not been previously documented. The photographs of this series, titled American Prospects changed the course of photographic practice in significant ways. Sternfeld experimented with color theories conceived originally in reference to architecture or painting and applied them to photography. He brought irony to the centuries-old tradition of depicting landscape, calling forth a new,
Archival inkjet print
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