Chambers Fine Art is a gallery specialising in contemporary Chinese art located in New York and Beijing. It was established by Christophe W. Mao in New York in 2000. Recognising the need for a gallery that would serve as an authoritative source of information on the latest developments in the rapidly growing contemporary art world in China, Mao named his gallery after Sir William Chambers, the celebrated British architect who was a leading exponent of Chinese principles in garden design in the late eighteenth century. During the first seven years, artists including Lu Shengzhong, Hong Hao, Song Dong and Yin Xiuzhen had their first solo exhibitions in the USA. Since then a younger generation of artists including Wu Jian’an, Zhao Zhao, Fu Xiaotong, and Guo Hongwei has added different perspectives to the gallery profile. Since 2009 the gallery has occupied premises at 522 West 19th Street, a block that is noteworthy for a concentration of new buildings by Frank Gehry, Shigeru Ban and Jean Nouvel as well as proximity to the High Line, the former elevated railway track that has become a much admired public park. Now in its second decade, Chambers Fine Art has become one of the essential destinations for all those interested in the latest and best coming out of China.
Ocula Magazine 's editors select their picks from Asia Now's online Viewing Rooms, presented on Ocula until 7 November.
The Ocula team present picks from Taipei Connections, an online platform launched by Ocula and Taipei Dangdai.
With galleries closed around the globe, the virtual rooms are a unique space to share art works online.
The Armory Show (5–8 March) features presentations by leading international galleries, innovative artist commissions, and dynamic public programs. The 2020 edition of The Armory Show, welcomes 183 exhibitors from 32 countries, convening Midtown Manhattan at Piers 90 and 94.
The artists are El Anatsui, Byung Hoon Choi, Carlos Cruz-Diez, Olafur Eliasson, Trenton Doyle Hancock, Cristina Iglesias and Ai Weiwei, and they were commissioned to create a mix of sculptures, light installations and suspended artworks for the 14-acre premises, known as the Susan and Fayez S. Sarofim Campus.
If it wasn't for the film Blow-Up, Pixy Liao may never have become a photographer. Working as a graphic designer in Shanghai and deeply dissatisfied with the lack of creative control she had over her own work, after watching Michelangelo Antonioni's cult classic about a fashion photographer loosely based on David Bailey, she was inspired to make...
On the eve of Art Basel in Hong Kong's private view on Wednesday, the Beijing-based artist Huang Rui took to the streets of Central for a paint-splashed performance about the cyclical nature of history. The piece was a tribute to Lee Wen, the pioneering Asian performance artist who died early this month.
On an unusually warm March weekday afternoon, between lunch and rush hour, the Chambers Fine Art gallery in Manhattan is empty of people. Diminutive with a sharp bob and a multi-coloured patchwork sweater, Pixy Liao emerges from a back office, a small paint can in her hand. She's slightly startled to see me, five minutes early and ready to chat...
In the hands of Wu Jian'an, the traditional Chinese medium of paper cut is elaborated and used to explore an idiosyncratic range of iconographic source material culled from all over the world. Over time, Wu Jian'an's works have grown both in scale and complexity as he increasingly conceives individual works as part of larger installations.
A prominent member of the post-1980s generation of Chinese artists and a former assistant of Ai Wewei, the Beijing artist talks about his visually stunning, anti-authoritarian and provocative work. Lilly Wei talked to the artist in his Beijing studio in 2015
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