Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula 'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
Ocula Conversation Ellen Altfest The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...
Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...
Chambers Fine Art is a gallery specialising in contemporary Chinese art located in New York and Beijing. It was established by Christophe W. Mao in New York in 2000. Recognising the need for a gallery that would serve as an authoritative source of information on the latest developments in the rapidly growing contemporary art world in China, Mao named his gallery after Sir William Chambers, the celebrated British architect who was a leading exponent of Chinese principles in garden design in the late eighteenth century. During the first seven years, artists including Lu Shengzhong, Hong Hao, Song Dong and Yin Xiuzhen had their first solo exhibitions in the USA. Since then a younger generation of artists including Wu Jian’an, Zhao Zhao, Fu Xiaotong, and Guo Hongwei has added different perspectives to the gallery profile. Since 2009 the gallery has occupied premises at 522 West 19th Street, a block that is noteworthy for a concentration of new buildings by Frank Gehry, Shigeru Ban and Jean Nouvel as well as proximity to the High Line, the former elevated railway track that has become a much admired public park. Now in its second decade, Chambers Fine Art has become one of the essential destinations for all those interested in the latest and best coming out of China.
Yi Xin TongImmortal Caverns: New Peacock Pavilion I 仙人洞：新孔雀馆 I, 2015 Archival pigment print
Li QingNeighbour's Window · Sweet 邻窗·甜, 2016 Wood, Metal, Oil on Plexiglass, Paint, Aluminium-plastic panel
Ocula Insight Moving between her bases in the United States and China, Qinmin Liu questions the structures that define her identity through long-form, playful projects. The farcical nature of the elitist lifestyle synonymous with the global art market is the focus of her ongoing project 'AngelHaha', the first artist-run airline. The 'dream-driven business' was...
Ocula Photolog JINGART 2018 21 May 2018 'Focusing on modern and contemporary art & design, JINGART provides galleries and artists the platform to present art works of different eras and genres, and communicate with international collectors and lovers of art.' –JINGART (17–20 May 2018).
Ocula Report One belt, one road, one biennale: Yinchuan's stand against cultural desertification 1 Nov 2016 : Sam Gaskin for Ocula Over 70 artists from 33 countries are represented in the inaugural Yinchuan Biennale, which opened amidst scandal on 9 September 2016. Not included is a work by Ai Weiwei, who was invited to take part alongside other art stars Yoko Ono and Anish Kapoor before being disinvited just weeks before the opening.In a tweet, Ai connects the...
Ocula Conversation Dr Uli Sigg Collector When Sydney art dealer Ray Hughes visited Swiss collector Uli Sigg at his Mauensee residence near Lucerne some years ago, a mutual friend asked the dealer how the visit went. ‘Did you feel comfortable and find a place to kick your feet up and read?’ ‘No, to both,’ answered Hughes, ‘it seems there was only art...
Related Press Sydney Biennale modestly comes of age with moments of curatorial brilliance The Conversation : 16 March 2018 If a 21st birthday "coming of age" observance can be applied to cultural events, 2018 marks the launch into adulthood of the Biennale of Sydney. In some ways Sydney's biennale was a precocious child, turning its back during infancy on mainstream Eurocentric art in favour of exploring its local geographic region, early on including...
Related Press Picturing Ai Weiwei in Istanbul Hyperallergic : 5 January 2018 In an era where superstar Chinese artist Ai Weiwei feels ubiquitous, this past summer I experienced the full extent of that reality over the course of two months. After attending a New York preview for his new film about migrants, Human Flow (2017), I traveled to Israel to visit a major exhibition of his work at the Israel Museum in West Jerusalem,...
Related Press Journeys without Arrivals: Chinese contemporary artist Qiu Zhijie at Centre d’Art Contemporain Genève Art Radar : 20 December 2017 Running until 18 January 2018, Qiu Zhijie: Journeys Without Arrivals focuses on the work of the artist Qiu Zhijie, who made waves for his satirical, often tongue-in-cheek calligraphic maps of the world. The Beijing-based artist is known for producing enormous, overwhelming ink maps, which often provide an underlying commentary that weave physical...
Related Press Mining Mineral Structures with Watercolor and Sediment Hyperallergic : 6 November 2017 Beijing artist Guo Hongwei is a master of watercolor technique, able to create convincing, almost photographic, results from this most minimal medium. He is also a collector of sorts, using his skill to assemble taxonomies of natural elements: leaves and butterflies, rocks and crystals.
