Adman by day, artist by night, Tom of Finland’s hyperreal homoerotic drawings depicted machismo in the form of bikers, cowboys and men in uniform. His highly detailed works in pencil, ink and gouache on paper celebrated pleasure, rejected shame, and significantly influenced gay culture and liberation movements globally.
Touko Laaksonen was born in Kaarina on 8 May 1920 (May in Finnish is “Toukokuu”). His parents were teachers and raised young Touko surrounded by art, music and literature. He could play the piano and was drawing comic strips by the time he was five. At the same age, Laaksonen spied on a muscular, farm-labourer neighbour. In 1939, he took courses in marketing and advertising, but was conscripted into the army in 1940. After the war, he worked as a commercial artist, and away from the office he began to draw detailed, erotic images of labourers, as well as the uniformed men after whom he had lusted during the conflict. He also used found imagery, adding moustaches and other elements to heteronormative depictions of men.
By 1956, Laaksonen was working at an advertising agency when a friend suggested he send his secret drawings to US muscle magazine Physique Pictorial. He signed them “Tom”, and became Tom of Finland. The spring 1957 edition of Physique Pictorial featured a Tom of Finland drawing of lumberjacks on its cover. But while his drawings were in demand, he wasn’t financially able to quit his advertising job until 1973, at which point he worked full-time on the photorealistic, erotic, bold-lined and delicately shaded drawings that brought his uncensored sexual fantasies not only to life but to a worldwide audience. Tom’s draughtsmanship and artistic skills combined to create an extensive, expressive body of work where masculine figures joyfully enjoyed intimacy.
Yes, he was conscripted into the Finnish Army in February 1940, serving as a second lieutenant. He later suggested that his interested in uniformed men might have originated in his wartime experiences—in F Valentine Hooven’s authorised 1994 biography of Tom of Finland, the artist says: “The whole Nazi philosophy, the racism and all that, is hateful to me, but of course I drew them anyway—they had the sexiest uniforms!”
Yes—as was Glenn Hughes from The Village People, and the band Frankie Goes to Hollywood. Tom of Finland’s fetishistic images of men wearing caps, chaps and biker jackets were echoed in these pop icons’ aesthetic.
The Tom of Finland Foundation was formed in 1984 by Tom and Durk Dehner, Tom’s financial manager, with the initial idea of preserving the artist’s huge catalogue of work. Now its scope has widened to create “a safe haven for all erotic art in response to rampant discrimination” and also to promote greater tolerance towards non-heterosexual sexualities.
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